Decision to Leave (2022)

Decision to Leave Review: Park Chan-wook Returns With an Intoxicating Romantic Thriller

The Best Movies of 2022

The 50 Best Movies of 2022

Glass Onion: A Knives Out Mystery (2022)

Glass Onion: A Knives Out Mystery Review: A Repackaged, Glossier Version of the Original That Lacks the Same Charm

Babylon (2022)

Babylon Review: Damien Chazelle is the Antichrist

Whiplash (2014)

Whiplash Review: A Timeless Warning for Where Damien Chazelle Is Heading

Bullet Train (2022)

Bullet Train Review: Brad Pitt Can’t Save Clunky Dialogue and Lifeless Story

The Apology (2022)

The Apology Review: A Concise, Hitchcockian Thriller Guided By Delicate Direction and Performances

Bardo (2022)

Bardo, False Chronicle of a Handful of Truths Review: Alejandro González Iñárritu’s Artistic Complex Film is a Meandering Slog

The Banshees of Inisherin (2022)

The Banshees of Inisherin Review: Legacy and Friendship Examined in a Way Only Martin McDonagh Can

Mulholland Drive (2001)

Mulholland Drive Review: David Lynch’s Dizzying Magnum Opus Stands the Test of Time

Causeway (2022)

Causeway Review: A Subtle, Understated Gem with Jennifer Lawrence’s Sharpest Performance Yet

Guillermo del Toro's Pinocchio (2022)

Pinocchio Review: Guillermo del Toro Resurrects the Story Robert Zemeckis Couldn’t

All Quiet on the Western Front (2022)

All Quiet on the Western Front Review: An Anti-War Epic That Strengthens the Wheel Rather Than Breaking It

Amsterdam (2022)

Amsterdam Review: The Cast is Great, The Movie is Not

The Eternal Daughter (2022)

The Eternal Daughter Review: Tilda Swinton’s Ghostly Performances Can’t Save a Bloated Script

Bodies Bodies Bodies (2022)

Bodies Bodies Bodies Review: A Vibrant and Timely A24 Product Poking Fun at Youth Culture

Sr. (2022)

Sr. Review: An Earnest and Stunning Documentary About the Downeys

Barbarian (2022)

The 10 Best Horror Movies of 2022

Violent Night (2022)

Violent Night Review: Santa Gets Bloody in a Successful Holiday Action Flick

Triangle of Sadness (2022)

Triangle of Sadness Review: Ruben Östlund’s Palme d’Or Winning Satire Struggles to Fire on All Cylinders

Armageddon Time (2022)

Armageddon Time Review: Semi-Autobiographical Film from James Gray Cuts One Notch Deeper Than Its Contemporaries