
Here are Cinephile Corner’s 10 recommendations for movies like Roommates:
You Are So Not Invited to My Bat Mitzvah
My skepticism was high for Adam Sandler’s new teen comedy on Netflix, You Are So Not Invited to My Bat Mitzvah, but the movie is genuinely funny and surprisingly endearing. Sandler enlists his whole family for this take on adolescence and the Jewish community.
Read our full review of You Are So Not Invited to My Bat Mitzvah
The Baltimorons
The Baltimorons sits in that lovely corner of holiday movies where the season is cold, the people are messier than they want to admit, and the comfort comes not from miracles but from accidental connection. Jay Duplass directs it in a very classical, unfussy way, letting performers and place do most of the work rather than punching it up with big comic beats or needle drops. It is closer to the gentler rhythms of Alexander Payne’s The Holdovers than to something broader like Love Actually, even if it never quite reaches the emotional heights of the former.
Sacramento
Sacramento is a good-not-great entry into the buddy road trip genre. It won’t blow you away, but if you’re a fan of its cast—Michael Cera, Michael Angarano, and Kristen Stewart included—there’s enough charm here to make it worth the ride.
Heathers
Winona Ryder‘s star power is at the center of Heathers, the 1989 teenage dramedy that became a cult hit and spawned many, many future imitators. It has just about everything, from crude high schooler humor to big, starry performances from the likes of Ryder and Christian Slater, to ONE DEAD, GAY SON (whom his dad loved very much)! It’s an eventful movie that packs a lot within 103 minutes, and director Michael Lehmann never takes the material too serious, often opting for a dose of absurdist situational comedy to intensify the plot in motion.
Mean Girls
Mean Girls doesn’t cover enough new ground to warrant the movie’s existence. The music is surprisingly fresh, and the performances are often the best aspects, but it’s a copy-and-paste concept executed to marginally acceptable results. Tina Fey relies heavily on the original material to render the movie passable.
The People We Meet on Vacation

Netflix has built a steady assembly line of soft rom-coms over the past few years, and People We Meet on Vacation fits the template almost too cleanly. It is an adaptation of Emily Henry’s novel, glossy and travel-poster pretty, with luxurious vacation spots doing a lot of the heavy lifting. Brett Haley has made sweeter, more grounded work in Hearts Beat Loud and All the Bright Places, but this one feels Netflix-ified into something airless and mechanical, like it is engineered to be left on in the background rather than actually watched.
Goodrich
Goodrich is the kind of mid-budget adult drama that feels increasingly rare in today’s film landscape. Once a staple of the box office, movies like this now struggle to find an audience, often landing as overlooked streaming releases rather than getting a fair shot in theaters. It’s a shame because, while Goodrich isn’t a revelation, it’s a solid, well-acted film that relies on the strength of its cast—especially Michael Keaton—to elevate its familiar premise.
Anyone But You
While Anyone But You might offer a few chuckles and some eye candy in the form of Sydney Sweeney and Glen Powell, it’s a mostly forgettable affair that leaves you craving a rom-com with some actual bite and fizz.
Eternity
Eternity has a sweet, sentimental charm that fits David Freyne’s A24 rom-com mold, then asks a clever what-if of the afterlife. When you die, you enter a hub and choose where to spend forever. For Joan, played by Elizabeth Olsen, the question is less where than who. Freyne, working from a script co-written with Pat Cunnane, leans into humor and physical business rather than plumbing for deeper grief. The emotion largely comes from familiar highlight reels, meet cutes and proposal flashbacks that remind Joan what each love felt like in its best light. When the movie wants to go big, it does not hesitate.
Are You There God? It’s Me, Margaret.
Are You There God? It’s Me, Margaret. doesn’t take long to show you its worth – an easily digestible, refreshing throwback film certainly worth the price of admission. Abby Ryder Fortson and Rachel McAdams star, with the latter hopefully participating in next year’s awards season race.
Read our full review of Are You There God? It’s Me, Margaret.
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