Here are Cinephile Corner’s 10 recommendations for movies like You, Me & Tuscany:
The People We Meet on Vacation
Netflix has built a steady assembly line of soft rom-coms over the past few years, and People We Meet on Vacation fits the template almost too cleanly. It is an adaptation of Emily Henry’s novel, glossy and travel-poster pretty, with luxurious vacation spots doing a lot of the heavy lifting. Brett Haley has made sweeter, more grounded work in Hearts Beat Loud and All the Bright Places, but this one feels Netflix-ified into something airless and mechanical, like it is engineered to be left on in the background rather than actually watched.
Anyone But You
While Anyone But You might offer a few chuckles and some eye candy in the form of Sydney Sweeney and Glen Powell, it’s a mostly forgettable affair that leaves you craving a rom-com with some actual bite and fizz.
Rye Lane
Few films in 2023 will reach the peaceful bliss that Hulu’s newest streamer Rye Lane does, a movie about two lost twenty-somethings recovering from painful breakups over the span of one eventful afternoon in South London. Told through an episodic lens that depicts the steps from heartbreak to a restored faith in relationships, Rye Lane is a cheerful reimagining of the romantic comedy.
Players
Players is comfortable with just existing rather than flourishing and finding new territory to cover in this expansive romantic comedy genre of movies. Netflix’s latest film is just as light and unremarkable as nearly every other one that they’ve produced. Gina Rodriguez and Damon Wayans Jr. co-star in lackluster, windless entry.
Regretting You
Regretting You is the latest Colleen Hoover adaptation to arrive with a lot of built-in melodrama and almost no ability to make that melodrama feel earned. After the infamous chaos surrounding It Ends With Us, I hoped this would at least land as a clean, competent tearjerker. Instead it plays limp and strangely confusing, a movie that keeps insisting it is devastating without ever giving the relationships enough shape for the devastation to hit.
Eternity
Eternity has a sweet, sentimental charm that fits David Freyne’s A24 rom-com mold, then asks a clever what-if of the afterlife. When you die, you enter a hub and choose where to spend forever. For Joan, played by Elizabeth Olsen, the question is less where than who. Freyne, working from a script co-written with Pat Cunnane, leans into humor and physical business rather than plumbing for deeper grief. The emotion largely comes from familiar highlight reels, meet cutes and proposal flashbacks that remind Joan what each love felt like in its best light. When the movie wants to go big, it does not hesitate.
Crossing Delancey
Crossing Delancey is the kind of romantic comedy that remembers what adulthood feels like. Joan Micklin Silver builds a world so specific that it becomes universal, a New York where bookstores, delis, and family kitchens carry as much weight as flirtations. The movie sits alongside the late eighties high points, close to Moonstruck and When Harry Met Sally…, yet it leans a little more serious and a little more tender.
Preparation for the Next Life
Bing Liu’s Preparation for the Next Life is a patient, unvarnished drama about two people trying to build a life together with nothing to fall back on. After the nonfiction clarity of Minding the Gap, Liu shifts to narrative without losing the documentary instincts that made his debut so piercing. You feel that in the way the camera lingers on kitchens in Chinatown, cramped rooms, and the small rituals of work and survival. The story is familiar, yet the texture is specific.
We Live in Time
A movie like We Live in Time really shouldn’t work. The overly sentimental cancer drama is a well-trodden path, with its fair share of genuinely touching entries but even more bogged down by predictability and melodrama. We Live in Time doesn’t completely avoid these familiar pitfalls, as it leans into some of the same cheesy tropes that often plague this subgenre.
Fly Me to the Moon
Rumor has it that Apple is stepping away from theatrical releases for their original movies, and the lukewarm reception of Greg Berlanti‘s Fly Me to the Moon may be a big reason why. Starring Channing Tatum and Scarlett Johansson, this romantic comedy set against the backdrop of the U.S.-Soviet space race seemed poised for success. It had all the ingredients for a financial hit: big stars, a pastiche-heavy style, and the kind of premise that could benefit from strong word-of-mouth. Yet, it never gained traction.
READ MORE: You, Me & Tuscany (2026), Movies Like People We Meet on Vacation, Movies Like Anyone But You
