Here are Cinephile Corner’s 10 recommendations for movies like 180:
The Rip
I ended up liking The Rip more than I expected to, and less than I wanted to. It is better than a lot of recent action-thriller comfort food, and it has enough atmosphere and mistrust to keep you locked in. It just never quite becomes the great Miami cop paranoia movie it keeps teasing. Solid, serviceable, occasionally tense, and a reminder that with this cast and this premise, there was a meaner, sharper version sitting right there.
A Working Man
Jason Statham continues his relentless streak of mid-tier action vehicles with A Working Man, a film that feels as workmanlike as its title suggests. Following his roles in Meg 2: The Trench and The Beekeeper, Statham trades giant sea monsters and bee-themed vengeance for a more grounded but also more generic revenge setup. He plays Levon Cade, an ex-Royal Marine Commando turned construction foreman in Chicago, in a film that’s essentially a stripped-down Taken clone without much flavor or personality to distinguish itself.
Lift
Lift is another example of the Netflix’s inability to create lasting movies. Once the credits hit, Lift leaves your conscious. There are a few action sequences, and lively performances, that help it move towards a soft landing.
The Pickup
I’ll admit I had more fun with The Pickup (2025) than I expected. Prime Video has been churning out a steady stream of C-tier action comedies, and most of them vanish from memory the moment the credits roll. I figured this would be another one of those forgettable titles, but to my surprise, it has just enough charm and comedic energy to make for a breezy, if uneven, watch.
The Instigators
The Instigators features an occasionally entertaining set piece and an ensemble cast of industry mainstays (headlined by Matt Damon and Casey Affleck), but this Apple TV+ streamer has all the common tropes and vibes of streaming content, best enjoyed passively and without thinking critically.
Wolfs
The appeal of Jon Watts’ Wolfs is obvious. The film serves as the long-awaited reunion between George Clooney and Brad Pitt. The two mega movie stars have shared the screen for a handful of projects over the years, most notably the Ocean’s franchise and Burn After Reading.
Carry-On
Jaume Collet-Serra wouldn’t seem like the next director to add to that list, given his recent track record with disappointing Dwayne Johnson vehicles like Jungle Cruise and Black Adam. However, his holiday thriller Carry-On defies expectations, moving quickly and building enough tension to make it a surprisingly worthwhile entry in the Netflix action canon.
Play Dirty
Play Dirty is the latest in Prime Video’s conveyor belt of glossy but weightless action titles. You can feel the intentions are different this time, since Shane Black aims for a straighter crime caper rather than the snarky crackle of The Nice Guys or Kiss Kiss Bang Bang. On paper, the package looks sturdy. Mark Wahlberg plays Parker, LaKeith Stanfield plays Grofield, and Rosa Salazar plays Zen, a trio of professional thieves drawn into a job that pits them against the New York mob and the president of Zen’s South American home country. In practice the movie is mostly table setting that never pays off.
The Order
The Order may not offer anything particularly new by industry standards, but Justin Kurzel‘s direction keeps the film engaging and intriguing as the story unfolds. It’s well-made and interesting, even though it draws on themes and styles found in many similar movies. While some argue that Hollywood no longer makes films like it used to, The Order feels like it came from a different time.
Blackhat
Michael Mann’s Blackhat is a fascinating enigma, a film that has only grown more compelling in the years since its release despite being weighed down by some glaring imperfections. The movie, a cyber-thriller with a globetrotting scope, plays like a fever dream of Mann’s stylistic obsessions, blending high-octane action, meticulous visual craft, and an indulgence in the absurd. It’s a film that refuses to conform, and for that reason, it has become one of the most divisive works of the 2010s.
READ MORE: 180 (2026), Movies Like The Rip, Movies Like Wolfs
