A24 Movies | Cinephile Corner

Eternity (2025)

Eternity Review: Elizabeth Olsen’s Afterlife Rom-Com Is Charming, but Conventional

If I Had Legs I'd Kick You (2025)

If I Had Legs I’d Kick You Review: Rose Byrne’s Tense Balancing Act of Motherhood and Everything Else

The Legend of Ochi (2025)

The Legend of Ochi Review: A24’s Family Feature Lacks Momentum

Highest 2 Lowest (2025)

Highest 2 Lowest Review: Spike Lee and Denzel Washington Deliver an Upbeat Homage to Akira Kurosawa’s ‘High and Low’

Eddington (2025)

Eddington Review: Ari Aster’s Politically Scattershot COVID Film Is Provacative and Earned

Bring Her Back (2025)

Bring Her Back Review: The Philippou Brothers Direct Another Grief-Stricken Horror Film for A24

Friendship (2025)

Friendship Review: Tim Robinson and Paul Rudd Buddy up in A24’s Acidic Riff on Male Affinity

Materialists (2025)

Materialists Review: Celine Song’s Sophomore Film Stumbles to Tread New Waters After ‘Past Lives’

Warfare (2025)

Warfare Review: Alex Garland and Ray Mendoza Co-direct a Precise Boots-On-The-Ground War Film

Death of a Unicorn (2025)

Death of a Unicorn Review: A24’s Mythical Creature Feature Doesn’t Live up to Its Premise

Opus (2025)

Opus Review: An Exclusive Album Listening Party Turned Nightmare

Babygirl (2024)

Babygirl Review: Nicole Kidman and Harris Dickinson Give the Erotic Thriller Genre a Shot in the Arm

Look Into My Eyes (2024)

Look Into My Eyes Review: A24’s Psychic Documentary Didn’t Sell Me

Queer (2024)

Queer Review: Daniel Craig Backpacks Through South Africa in Luca Guadagnino’s New Steamy Romance

The Brutalist (2024)

The Brutalist Review: Brady Corbet’s 3+ Hour Epic Falls Short of Greatness

Y2K (2024)

Y2K Review: Kyle Mooney’s Directorial Debut is an Amusing, Schlocky Stoner Hit About the End of the World

We Live in Time (2024)

We Live in Time Review: Florence Pugh and Andrew Garfield Give Award-Worthy Performances in a Tragic Romance Movie

Heretic (2024)

Heretic Review: Hugh Grant Highlights a Messy, Twisty Religious Thriller

Sing Sing (2024)

Sing Sing Review: Colman Domingo Leads an Excellent Prison Drama

A Different Man (2024)

A Different Man Review: Sebastian Stan Showcases His Acting Range in Surreal Comedy

I Saw the TV Glow (2024)

I Saw the TV Glow Review: Jane Schoenbrun’s Surreal Counterculture Hit is Among the Most Beguiling Movies of 2024

MaXXXine (2024)

MaXXXine Review: Ti West Closes Out the Mia Goth ‘X’ and ‘Pearl’ Trilogy to Middling Results

Janet Planet (2024)

Janet Planet Review: Debut Annie Baker Film Lulls You into Submission

Love Lies Bleeding (2024)

Love Lies Bleeding Review: Kristen Stewart and Katy O’Brian Mesh Well in Grimy New Film from Rose Glass

Civil War (2024)

Civil War Review: New Alex Garland Film is Light on its Details and Vague in its Motives

Girls State (2024)

Girls State Review: Documentary Duo Behind ‘Boys State’ Revisits Mock-Government Program to Similarly Compelling Results

The Zone of Interest (2023)

The Zone of Interest Review: Jonathan Glazer Depicts Complacency and Evil to Astonishing Results

The Iron Claw (2023)

The Iron Claw Review: Zac Efron Bulks Up in Devastating Sports Movie Documenting the Von Erich Family Curse

Priscilla (2023)

Priscilla Review: Sofia Coppola Crafts the Best Film About the Presley Family in Years

You Hurt My Feelings (2023)

You Hurt My Feelings Review: New Nicole Holofcener Film Mines the Self-Conscious Tendencies of Making Art

Medusa Deluxe (2023) movie

Medusa Deluxe Review: A Cleverly Designed, Single Shot Whodunit

Earth Mama (2023)

Earth Mama Review: Debut from Savanah Leaf Slow Plays to a Fault

Talk to Me (2023)

Talk to Me Review: New A24 Horror Film Possesses the Senses

Past Lives (2023)

Past Lives Review: Celine Song’s Debut Film Shatters Genre Expectations

Showing Up (2023)

Showing Up Review: Kelly Reichardt’s Latest With Michelle Williams Deep Dives the Artistic Process

Beau Is Afraid (2023)

Beau is Afraid Review: The Wild, Audacious Epic From Ari Aster

When You Finish Saving the World (2023) movie

When You Finish Saving The World Review: Jesse Eisenberg Carves Out His Own Unique Voice After Just One Film

Sharper (2023)

Sharper Review: Julianne Moore and Sebastian Stan Lead a Zany, Twisty Thriller on Apple TV+

This Place Rules (2023)

This Place Rules Review: An Eerie Look at a Country Losing Its Grip on Reality

Everything Everywhere All at Once (2022)

Everything Everywhere All at Once Review: The Year’s Most Ambitious and Unrelenting Film

Aftersun (2022)

Aftersun Review: An Emotionally Stunning Juggernaut from Charlotte Wells

Men (2022)

Men Review: Alex Garland’s Visceral Body Horror Tale Leaves Little to the Imagination

Causeway (2022)

Causeway Review: A Subtle, Understated Gem with Jennifer Lawrence’s Sharpest Performance Yet

The Eternal Daughter (2022)

The Eternal Daughter Review: Tilda Swinton’s Ghostly Performances Can’t Save a Bloated Script

Bodies Bodies Bodies (2022)

Bodies Bodies Bodies Review: A Vibrant and Timely A24 Product Poking Fun at Youth Culture

The Sky is Everywhere (2022) movie poster

The Sky Is Everywhere Review: A24 Misguided High School Comedy is a Low for the Studio

C'mon C'mon (2021)

C’mon C’mon Review: Joaquin Phoenix Stars in Mike Mills’ Thoughtful, Intimate Exploration of Generational Anxiety

The Green Knight (2021)

The Green Knight Review: David Lowery’s Cryptic, Mesmerizing Arthurian Odyssey

Red Rocket (2021)

Red Rocket Review: Sean Baker Delivers Another Colorful, Sunbathed Comedy Movie for A24

Saint Maud (2021)

Saint Maud Review: Rose Glass Debut is the Best A24 Horror Movie So Far This Decade

Low Tide movie poster

Low Tide Review: Kevin McMullin Thriller for A24 Stays Well Within Genre Conventions

Midsommar (2019)

Midsommar Review: Ari Aster’s Bold Cult Tale Confronts Horror Film Traditions

Hereditary (2018)

Hereditary Review: Ari Aster’s Debut Film Is One of the Best Horror Movies Ever Made

In Fabric (2018)

In Fabric Review: Peter Strickland Spins Giallo Horror Tropes in Throwback A24 Film

The Florida Project (2017)

The Florida Project Review: Sean Baker Announces Himself as a Generational Filmmaker in This Candy-Coated Classic Movie

Ex Machina (2015)

Ex Machina Review: Alex Garland’s Debut Film Remains His Clearest Allegory

The Blackcoat's Daughter (2015)

The Blackcoat’s Daughter Review: Oz Perkins’ Best Film is Endlessly Unsettling

Enemy (2013)

Enemy Review: Jake Gyllenhaal Gives a Career-Defining Performance in Denis Villeneuve A24 Thriller

Eddington (2025)

Ari Aster’s ‘Eddington’ is Divisive Among Critics at 2025 Cannes Film Festival

Joaquin Phoenix and Pedro Pascal in Eddington (2025)

‘Eddington’ Poster and First Image Teases Ari Aster’s Follow-up to ‘Beau Is Afraid’

Bring Her Back (2025)

‘Bring Her Back’ Trailer – Next A24 Movie from ‘Talk to Me’ Directors

Queer (2024)

New Trailer and Posters Released for Luca Guadagnino’s Queer Starring Daniel Craig

Ari Aster Movies Ranked

Every Ari Aster Movie Ranked from Worst to Best (Including Eddington)

Alex Garland Movies Ranked

Every Alex Garland Movie Ranked from Worst to Best

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Best A24 Horror Movies, Ranked

The Brutalist (2024)

The 10 Best A24 Movies of 2024

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Every Robert Eggers Movie Ranked from Worst to Best

First Reformed (2018)

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Greta Gerwig Movies Ranked

Every Greta Gerwig Movie Ranked from Worst to Best

Jonathan Glazer Movies Ranked

Every Jonathan Glazer Movie Ranked from Worst to Best

Aftersun (2022)

The 10 Best A24 Movies of 2022

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The 50 Best Movies of 2023

Infinity Pool (2023)

The 10 Best Horror Movies of 2023

Talk to Me (2023)

The 10 Best A24 Movies of 2023

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The 50 Best Movies of 2022

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