Here are Cinephile Corner’s 10 recommendations for movies like 72 HOURS:
Roommates
You could certainly do way worse when it comes to straight-to-streaming teenage comedies than Happy Madison’s latest Netflix release Roommates, Sadie Sandler’s first turn as a starring actress in a feature film following smaller roles and cameos in a handful of her father Adam Sandler’s movies over the last few years. Both Sadie and Sunny Sandler have had their shots at Netflix projects in recent years, and the results, while still leaning into cameos and low-hanging jokes that I usually roll my eyes at in both Netflix and Happy Madison movies, have been rather promising.
Everybody Wants Some!!
I can probably count on one hand the movies I’ve rewatched more often than Everybody Wants Some!!, and that’s because Richard Linklater’s secret masterpiece is one of the most endlessly watchable films of the 2010s. Its 117 minutes fly by with the kind of effortless charm that makes you want to live inside it, following a team of college baseball players during the final weekend before classes begin at a mid-sized Texas university in 1980. Freshmen move into the house, parties blur together, baseball practice tests egos, and friendships form so naturally you wish you were dropped right into the middle of it.
One of Them Days
Keke Palmer is undeniably magnetic, and One of Them Days serves as another showcase for her effortless charm and comedic timing. Directed by Lawrence Lamont, the film largely exists to let Palmer shine, and she doesn’t disappoint, carrying the movie’s 97-minute runtime with infectious energy.
Hell of a Summer
On the surface, Hell of a Summer doesn’t have many glaring flaws. It’s an obvious love letter to classic slasher films like Friday the 13th, Scream, and Sleepaway Camp. Billy Bryk and Finn Wolfhard make their directorial debut here, and while their enthusiasm for the genre is clear, the film struggles to carve out its own identity. Instead of reinventing familiar tropes, it largely retraces well-worn ground, and that familiarity ultimately works against it.
The Pickup
I’ll admit I had more fun with The Pickup (2025) than I expected. Prime Video has been churning out a steady stream of C-tier action comedies, and most of them vanish from memory the moment the credits roll. I figured this would be another one of those forgettable titles, but to my surprise, it has just enough charm and comedic energy to make for a breezy, if uneven, watch.
Dazed and Confused
There’s a short, short list of movies that, in the moment, feel like the greatest thing you’ve ever seen. Richard Linklater has somehow made a few of them across a decades-long career, and I’m not sure he’s ever been more locked-in than with Dazed and Confused. It drops you into 1976 on the last day of school, where the soon-to-be seniors are running the show and the incoming freshmen are about to take the brunt of hazing rituals that are passed down like some warped tradition. Then the sun goes down, the cars start cruising, the beer starts flowing, and the night stretches out into that specific kind of teenage summer freedom that feels infinite while you’re in it.
Happy Gilmore 2
If Happy Gilmore 2 was trying to match the chaotic energy of its predecessor, it took the wrong lessons from the original. Rather than capturing the anarchic charm that made 1996’s Happy Gilmore such a cult classic, this long-gestating sequel trades in simplicity for excess, leaning hard into maximalist spectacle, celebrity cameos, and a softened version of Adam Sandler’s once-iconic character. The result? A bloated and misguided legacy sequel that feels more like a Netflix-branded content dump than a genuine continuation of a classic comedy.
The Dink
Whether you (or I) like it or not, pickleball was always destined to get its own movie. It’s become one of the fastest-growing sports in America, seemingly occupying every empty tennis court in the country over the last few years, so it was really only a matter of time before Hollywood shamelessly decided to capitalize on the trend. The Dink embraces that premise with exactly the amount of sincerity you’d expect, delivering a family-friendly sports comedy that occasionally lands some genuinely funny jokes, even if it never really figures out what it wants to be beyond the pickleball movie.
Novocaine
Novocaine works best as an entertaining genre exercise. It’s competently made, sometimes clever, and visually sharp. But it never quite reaches the heights it’s aiming for. It doesn’t reimagine the action-comedy or elevate its characters beyond the surface. Still, it’s a watchable 90 minutes, and for fans of Jack Quaid or high-concept thrillers with a soft edge, it’s worth a casual look.
Zola
Zola is an A24 film that fully embraces the chaotic, anything-goes energy of its source material—a viral Twitter thread detailing a Florida road trip gone terribly wrong. Directed by Janicza Bravo, the film blends Scorsese-like brashness with Sean Baker-style realism, offering a flashy, unfiltered look at the underground world of sex work. At times, it’s as glamorous as it is grimy, a fever dream that refuses to look away from its characters’ choices, even when things spiral out of control.
READ MORE: Movies Like The Dink, Movies Like Dazed and Confused
