Here are Cinephile Corner’s 10 recommendations for movies like Red Eye:
Panic Room
While Panic Room may seem like less ambitious in scale compared to some of Fincher’s other works, the movie stands as a testament to his versatility as a filmmaker. From the moment the Altman mother-daughter duo are thrust into the claustrophobic depths of their panic room, the film becomes a relentless, punishing exercise in suspense and dread.
The Last Stop in Yuma County
Francis Galluppi’s The Last Stop in Yuma County probably won’t reinvent the wheel, but hopefully it’s a sign that we’ve found a new director that’ll do his best to keep slick, low-budget genre exercises alive. These down-the-middle genre movies (excluding horror) are hard to come by nowadays.
Knock at the Cabin
The concept behind Knock at the Cabin is fairly simple, as many of M. Night Shyamalan’s movies are. A couple and their daughter are at a remote cabin when a set of strangers sets upon their location. It’s made known to them that they must choose a sacrifice from their own family to prevent the apocalypse. Despite the well-mannered and caring demeanors of the intruders, they insist that this sacrifice must be made in order to save the world.
Final Destination Bloodlines
Final Destination Bloodlines is the rare horror legacy sequel that understands exactly what it is—and more importantly, what its fans want. Directed by Zach Lipovsky and Adam B. Stein, this blood-soaked revival of the Final Destination franchise doesn’t reinvent the wheel, but it absolutely fine-tunes it, delivering gory set pieces, a slickly paced plot, and just enough lore expansion to make it feel like more than a rehash. It’s self-aware without being snarky, brutal without being mean-spirited, and surprisingly clever in how it weaves its mythology into something new.
Fight or Flight
Fight or Flight feels like it’s trying to play in the big leagues of modern action but without the distinctive characters, choreography, or creative spark to back it up. It’s neither grounded enough to be gritty nor wild enough to be fun. While Josh Hartnett remains an intriguing actor in the right roles, this isn’t one of them. It’s a forgettable detour in a genre full of better, more fully realized flights.
Train to Busan
Yeon Sang-ho’s Train to Busan is a visual feast as survivors band together on a speeding bullet train. It delivers the right amount of thrills and action set pieces. Although the dramatic elements and character development may seem underbaked, the film rarely faulters and crashes off course.
Leave the World Behind
Sam Esmail, renowned for his work on Mr. Robot, returns to feature filmmaking with Leave the World Behind, a star-studded drama delivered straight to Netflix that operates as an apocalyptic mystery thriller. Boasting a cast of A-listers like Julia Roberts, Ethan Hawke, Mahershala Ali, and the promising up-and-comer Myha’la, the film carries the weight of its cast’s reputation but, unfortunately, doesn’t quite live up to expectations.
Old
It’s been a few years since M. Night Shyamalan‘s Old hit movie theaters and it still feels as fresh as that day. Shyamalan’s old school mixture of poignant commentary and rich thrills combine into his best film since 2002, and one that stays immensely rewatchable.
Sanctuary
Sanctuary and its single location premise may feel light for a feature length film, but stellar performances by Margaret Qualley and Christopher Abbott, as well as tight direction by Zachary Wigon, helps the movie stay fresh and alive.
Last Breath
Last Breath won’t redefine the survival genre, nor does it aim to. It’s a modest, tightly contained drama that prioritizes atmosphere and character over spectacle. Woody Harrelson and Simu Liu co-star as a pair of deep-sea divers tasked with saving one of their own as they struggle with a limited supply of oxygen.
READ MORE: Red Eye (2005)
