Here are Cinephile Corner’s 10 recommendations for movies like Predator: Badlands:
Avatar: The Way of Water
The Way of Water absolutely comes through and pulls off a better experience than the first Avatar film could ever dream of. It’s emotionally riveting and absolutely deserves to be seen on a big screen. The best films make you laugh, gasp, and cry. The Way of Water pulls off all three. Simply put, don’t bet against James Cameron.
Furiosa: A Mad Max Saga
George Miller finds so much new ground to cover with Furiosa: A Mad Max Saga that perfectly justifies its own existence. While Fury Road was interested in such a contained story propelled by larger-than-life action sequences and big rig warfare spawning from a game of cat and mouse, Furiosa fills in the gaps of a world much larger than what is expected. Anya Taylor-Joy and Chris Hemsworth stun in a prequel well worth the wait.
Dune: Part Two
There’s nothing like Dune: Part Two, which feels like it could only be conceived by Denis Villeneuve and the best crew around him possible. Everyone is working at the top of their game to create one of the best theatergoing experiences of 2024. Timothée Chalamet and Zendaya star in the science fiction movie that stands against the genre’s best.
Predator: Killer of Killers
Predator: Killer of Killers isn’t a knockout, but it is a welcome risk. It continues the rejuvenation of the franchise that Prey began and suggests that Predator: Badlands could be the most expansive, adventurous installment yet. For fans of the series or genre animation in general, it’s worth the watch. It’s smart, visually distinctive, and interested in more than just the hunt.
Black Panther: Wakanda Forever
The margin for error in Ryan Coogler’s sequel to 2018’s Black Panther was always going to be slim. He was tasked with delivering a film that matched the intensity and significance of its tight, universe-expanding first film that set the tables for one of Marvel’s most diverse storylines in a world dominated with white male superheroes doing battle with the most cosmic villains imaginable. Needless to say, there was a lot of pressure for Wakanda Forever to deliver on a monumental level.
The Creator
Gareth Edwards’ latest movie, The Creator, blasts onto the screen with the force of a nuclear warhead, throwing audiences into a sprawling sci-fi epic that’s equal parts awe-inspiring and occasionally frustratingly shallow. Like a perfectly sculpted sandcastle frailly built on a windy beach, The Creator boasts breathtaking visuals and an ambitious scope, only to slightly crumble under the weight of its own narrative shortcomings.
Ant-Man and the Wasp: Quantumania
Ant-Man and the Wasp: Quantumania serves as a critical turning point in the Marvel Cinematic Universe. The movie simultaneously introduces Jonathan Majors as Kang the Conqueror and tries to steer the inconsistent MCU back on track. It may not entirely succeed, but Paul Rudd‘s latest movie has a few glimmering pieces.
Transformers: Rise of the Beasts
Rise of the Beasts is better than nearly any Transformers film, or perhaps it’s just better at not being a noticeably abysmal movie. To blubber a plot synopsis of any of the Transformers movies seems like a task done only by the deranged. They draw you so far into the weeds that it’s hard to keep your bearings while you watch them (Who’s the villain this time? How’s that different from the last?). But regardless, they keep chugging along.
Gladiator II
Gladiator II tries to follow in the footsteps of its predecessor, but often stumbles, feeling like a rehash of the 2000 original rather than something new. The story treads familiar ground, and the visual effects can be distractingly bad, as if Ridley Scott decided to embrace outdated CGI instead of pushing the boundaries of what’s possible today. It’s frustrating to watch a film with such potential settle for being a shadow of what came before.
The Gorge
The Gorge, Scott Derrickson’s latest film for Apple TV+, is a frustratingly uneven blend of action, sci-fi, and romance that starts with promise but ultimately succumbs to convention. Miles Teller and Anya Taylor-Joy do their best to elevate the material, and their on-screen chemistry carries the movie’s far more compelling first half, but by the time the action-heavy second half kicks in, The Gorge loses much of what made it intriguing to begin with.
READ MORE: Predator: Badlands (2025)
