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Smile (2022)

Smile Review: The Trauma Plot Does Not Thicken

Barbarian (2022)

Barbarian Review: Zach Cregger Delivers New, Singular Horror Vision With Brilliant Twists

Morbius (2022) movie poster

Morbius Review: It’s Not Morbin’ Time

Ambulance (2022)

Ambulance Review: Michael Bay’s Action Vehicle is a Tour de Force

Turning Red (2022)

Turning Red Review: New Pixar Film Sets the Studio Back on Track

The Batman (2022)

The Batman Review: Matt Reeves Reimagines Superhero Films to Frighteningly Superb Results

Uncharted (2022)

Uncharted Review: Tom Holland Drives Another Average Action Vehicle

The Sky is Everywhere (2022) movie poster

The Sky Is Everywhere Review: A24 Misguided High School Comedy is a Low for the Studio

Paul Thomas Anderson

Paul Thomas Anderson as a Modern Auteur

M (1931)

The Importance of Fritz Lang’s M in Modern Cinema

Kimi (2022)

Kimi Review: Steven Soderbergh’s Slick COVID Thriller Starring Zoë Kravitz

Marry Me (2022) movie poster

Marry Me Review: Safe and Average Filmmaking If I’ve Ever Seen It

Jackass Forever (2022)

Jackass Forever Review: The Boys Are Back

The Coen Brothers Movies Ranked

The 5 Best Coen Brothers Movies

The Fallout (2022)

The Fallout Review: Timely Jenna Ortega Drama Meanders a Bit Too Long

The Vast of Night (2020)

The Vast of Night Review: Low Budget Thriller Worth Every Penny

Scream 5 (2022)

Scream 5 Review: Ghostface Returns With New Thrills and Scares

Licorice Pizza (2021)

Licorice Pizza Review: Paul Thomas Anderson Delivers Another Dazzling Film

the tender bar (2021)

The Tender Bar Review: George Clooney Directs Ben Affleck in a Mixed Throwback Feature

Sing 2 (2021)

Sing 2 Review: Slight Improvements Over the Original Film, but Still a Lackluster Franchise

Moonrise Kingdom (2012)

Moonrise Kingdom Review: Wes Anderson’s Ultimate Coming-of-Age Film

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