
Here are Cinephile Corner’s picks for the 5 best Paul Mescal movies, ranked:
5. Gladiator II (2024)
Gladiator II tries to follow in the footsteps of its predecessor, but often stumbles, feeling like a rehash of the 2000 original rather than something new. The story treads familiar ground, and the visual effects can be distractingly bad, as if Ridley Scott decided to embrace outdated CGI instead of pushing the boundaries of what’s possible today. It’s frustrating to watch a film with such potential settle for being a shadow of what came before, even as Paul Mescal manages to make Lucius’ struggle feel personal despite how familiar his arch may feel.
Read our review of Gladiator II (2024)
4. Foe (2023)

3. The Lost Daughter (2021)
Few debut movies have the level of care and precision that Maggie Gyllenhaal‘s The Lost Daughter has. An intimate film about fragile bonds between mother and daughter, The Lost Daughter relies on powerful performances from Olivia Colman, Dakota Johnson, and Jessie Buckley – all of whom exceed with flying colors.
Read our review of The Lost Daughter (2021)
2. Aftersun (2022)
Charlotte Wells’ debut movie Aftersun is a juggernaut. Few films demand the time and attention this A24 property does and also delivers on the promise of a deeply resonating ending that will surely endure the test of time and re-watchability. In many ways, Aftersun feels timeless – the rare use of technology or dated material is actually of 20 years past (around the timeframe for our lead character Sophie, played by the wonderful and peppy Frankie Corio, to reminisce the time she spent with her father), and the structural architecture and design of the Turkish resort they stay at is nearly absent. Every frame stays with people, not their surroundings.
Read our review of Aftersun (2022)
1. All of Us Strangers (2023)
Andrew Haigh’s All of Us Strangers emerges as one of the most quietly devastating and emotionally resonant films of 2023. From its opening scene, where Adam (Andrew Scott) and Harry (Paul Mescal) meet in the empty expanse of their apartment complex, the film invites viewers into a world filled with space, vibrant colors, and thoughtful design. Andrew Haigh, known for his work on films like Weekend and 45 Years, crafts a poignant narrative that explores the complexities of love, loss, and the haunting specter of the past. What transpires certainly stands as one of his best works yet as a director.
Read our review of All of Us Strangers (2023)
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