Here are Cinephile Corner’s 10 recommendations for movies like The Ministry of Ungentlemanly Warfare:
Sisu
Sisu mostly capitalizes on the carnage that it promises – that Nazis won’t make it out of this thing. But outside of a few killer sequences, Sisu can’t quite match the stellar run of competing genre movies, resulting in one with clear influences.
The Gray Man
When The Gray Man is working at its best, it has the wiseass-ery of Chris Evans at the center, even if it takes a decent amount of runtime for him to even enter the fold. Otherwise, Ryan Gosling barely ties this comatose Netflix action movie together.
A Working Man
Jason Statham continues his relentless streak of mid-tier action vehicles with A Working Man, a film that feels as workmanlike as its title suggests. Following his roles in Meg 2: The Trench and The Beekeeper, Statham trades giant sea monsters and bee-themed vengeance for a more grounded but also more generic revenge setup. He plays Levon Cade, an ex-Royal Marine Commando turned construction foreman in Chicago, in a film that’s essentially a stripped-down Taken clone without much flavor or personality to distinguish itself.
Guy Ritchie’s The Covenant
The Covenant effectively sandwiches two rescue missions back-to-back in a tightly controlled narrative. It’s a two hander, sneakily becoming an anthology of several strong stories and ideas working within one another. Jake Gyllenhaal and Dar Salim headline the movie, and each get half of the film to take the lead.
Black Hawk Down
Ridley Scott is arguably one of the best directors alive at exactly this kind of filmmaking. Movies that feel like reenactments, but reenactments so cinematic and overwhelming that – depending on my mood – it makes up for the fact that there’s often not a ton that emotionally clicks with me in his work, nor do I find much of his 21st century output to carry a lot of personality. I liked The Last Duel, Napoleon, and House of Gucci well enough, but I won’t argue that the dioramic recreation does a lot of the heavy lifting in each of those films compared to the thematic depths they don’t seem particularly interested in having. Black Hawk Down fits that mold pretty well too.
Dunkirk
Dunkirk may just be Christopher Nolan’s most improbable and precise movie. A technical revelation that feels like the stretched out third act of a war epic. All this time later, nothing has aged poorly in this cinematic achievement.
Mayday
In one of the more stunning turn of events in 2026, I had a great time with Mayday. A Ryan Reynolds-led straight-to-streaming action movie on Apple TV+ is basically the opposite of a sales pitch for me, with every element of that sentence somehow getting worse the more I think about it. The only thing less noteworthy than Reynolds’ output this side of Mississippi Grind (absent Deadpool) has been the track record of straight-to-streaming action movies, and Apple TV+’s action slate in particular.
The Amateur
The Amateur plays like a collage of better films. It’s not egregiously bad—just forgettable, over-familiar, and often flat. Despite flashes of life from its supporting cast and a premise that could’ve breathed new life into the spy genre, this is a film that fizzles rather than detonates. If you’re looking for the next Mission: Impossible or Bourne, this isn’t it. It’s not even a great slow-burn alternative. It’s just… there.
Warfare
Warfare is the kind of war film that forgoes grandiosity in favor of raw, boots-on-the-ground immediacy, and the result is a lean, harrowing experience that feels startlingly real. Co-directed by Alex Garland and former Navy SEAL Ray Mendoza, the film comes just a year after Garland’s more polarizing and thematically ambiguous Civil War—a movie that aspired to be a socio-political reckoning but often buckled under the weight of its own ideas. In contrast, Warfare is stripped down and visceral in a way that’s much more effective.
G20
G20 is not just a misfire, it’s a symptom of a larger streaming trend: high-concept projects stretched thin by weak scripts, formulaic direction, and over-reliance on big names to carry the weight. Viola Davis has led action movies far superior to G20.
READ MORE: Movies Like Sisu, Movies Like Mayday
