Here are Cinephile Corner’s 10 recommendations for animated movies like Wildwood:
Hoppers
Hoppers feels like coked-out Pixar. A zany great time, an original story with the perfect amount of heft and weight, loaded with more jokes and gonzo energy than the studio has mustered in years. One moment in particular (spoiler: the squishing of a certain insect) had my significant other audibly gasp in the theater, which has to be a first for the studio, or close to it. Hopefully, Pixar is finding a couple of new voices to bank on going forward, because Hoppers is genuinely refreshing to see.
Flow
Flow attempts to push the boundaries of visual storytelling in the animated genre, and in many ways, it succeeds. Created entirely using Blender rendering software, typically reserved for 3D video game sprites, the film builds a nearly 90-minute animated feature filled with an abundance of visual ideas and thematic density. It’s a technical marvel that redefines the potential of its medium through its innovative use of technology.
Isle of Dogs
Viewed as a standalone animated feature, Isle of Dogs is a unique, thoughtful piece that few filmmakers besides Wes Anderson could have envisioned, let alone executed. But graded on the curve of Anderson’s own career, it feels minor. It lacks the emotional punch of The Royal Tenenbaums, the elegance of The Grand Budapest Hotel, and even the narrative focus of later entries like Asteroid City or The Phoenician Scheme.
Wendell & Wild
Henry Selick’s latest entry into the stop-motion microgenre Wendell & Wild contains every ounce of charisma and wonder that fueled his previous works and terrified children like myself growing up, but watching his newest effort as a more aware and critical viewer, there are just too many structural components that don’t connect into a larger, fully-realized puzzle.
Arco
There’s a mature sense of urgency to Arco that I really admire, and it’s something animated movies rarely attempt outside of the best work from studios and filmmakers who treat animation as a serious storytelling medium. For every thoughtful Hayao Miyazaki and Studio Ghibli film, and for every Pixar or Laika swing that actually trusts kids to sit with complicated feelings, there are a dozen franchise sequels and spinoffs built strictly to keep attention spans occupied for 90 minutes. Arco can still deliver the breezy, accessible adventure beats, but first-time feature director Ugo Bienvenu is clearly aiming for something heavier underneath.
Nimona
Nimona tries to strike at the same imaginative core that worked so well for a few of Netflix’s animated releases from a year ago, namely The Sea Beast and Guillermo del Toro’s Pinocchio, but instead comes out overbaked – trying to have its way in so many directions that it just ultimately feels lost within so many ideas.
Coraline
An absolutely beautiful stop-motion movie, Coraline supplies enough whimsical joy for kids, while still being thoughtful and profound. Henry Selick‘s best film is also Laika Entertainment’s best film.
Wish
Disney’s newest animated movie Wish proves to be a frustrating and occasionally grating cinematic experience. The sporadic moments of enjoyment, courtesy of lively voice acting and catchy tunes, are overshadowed by the movie’s misguided conceptual foundation and lack of narrative cohesion. Ariana DeBose and Chris Pine shine in an otherwise unworthy film.
Guillermo del Toro’s Pinocchio
Guillermo del Toro and Mark Gustafson’s Pinocchio is a beautiful and marvelous return for the ancient story after the dark places it went to in 2022. The stop-motion is clean and stoic, and the story breaths new life into the wooden child. Guillermo del Toro rarely misses, and this is another example of his gothic stories hitting just the right notes.
Coyote vs. Acme
The circumstances under which Coyote vs. Acme was finally released will probably overshadow much of the movie itself, although in a lot of ways, the two are inseparable. After Warner Bros. shelved the completed film as a tax write-off amid its own increasingly bizarre corporate machinations, Coyote vs. Acme became less of a movie than a cause célèbre for the people who believed audiences should actually get the chance to see it. The fact that Warner Bros. was willing to leave this on the shelf while releasing some of its far less defensible recent output only made the whole situation feel that much more absurd. Thankfully, Ketchup Entertainment eventually acquired the rights and gave it the theatrical release it deserved, meaning we can finally talk about Coyote vs. Acme as a movie instead of simply talking about Warner Bros.’ decision not to release it.
READ MORE: Movies Like Hoppers, Movies Like Flow
