Here are Cinephile Corner’s 10 recommendations for movies like The Roses:
You Hurt My Feelings
You Hurt My Feelings is a movie tearing apart the artistic complex. A film that questions whether professionals can have their lives figured out in the twenties or thirties. It’s honest and personal, as if Nicole Holofcener is using Julia Louis-Dreyfus as a stand in for directors and creatives everywhere.
The Royal Tenenbaums
The Royal Tenenbaums not only stands as one of Wes Anderson’s best movies of his career, but also a defining work of the independent filmmaking scene in the early 2000s. It’s dripping with color and visual intensity, masking a story with deep themes of broken families.
The Daytrippers
Even if The Daytrippers struggles to evolve due to sluggish pacing and typical genre tropes, it’s still worth your time to see early Greg Mottola work his magic. Excellent direction, and a starry cast, manages to keep the movie afloat.
The Fabelmans
The Fabelmans, Steven Spielberg’s latest movie, effectively mines through his childhood to examine his love for film. A complex set of ideas mixed in a way only the master filmmaker could pull together.
Materialists
Materialists feels like a transitional work. It shows Celine Song experimenting with scale, ensemble dynamics, and new narrative textures—but it lacks the intimacy and precision that defined her first film. It’s a movie with moments that flirt with those same highs in small doses, but one that ultimately falls short. Still, it leaves me hopeful: the emotional territory Song wants to chart is rare in contemporary cinema, and while Materialists stumbles, it’s a sign that she’s aiming high. Her best films are likely still ahead.
Nebraska
In classic Alexander Payne fashion, the setup for Nebraska is equal parts funny, sad, and deeply personal. And the payoff is well worth the wait due to remarkably nuanced and layered performances from Bruce Dern and Will Forte as a complicated father-son duo.
Janet Planet
Janet Planet is warm and cozy, but I’m just not sure it transported me to this world that is both vivid and hazy. The performances, from Zoe Ziegler as the impressionable, yet adult-ish 11-year-old Lacy, to Julianne Nicholson as her free thinking and free spirited mother Janet, steal the movie as a result – one that relies on that specificity from its actresses in order for it to feel timely and transferrable.
Armageddon Time
In any profile you read or listen to with James Gray, the sincerity reigns true about his passions. As a craftsman that’s been working as a filmmaker since the 1990s, Gray is now a staple of the art world and a veteran of the profession. While his settings can range from his own personal stomping grounds to international terrain to even intergalactic expeditions, the clear and penetrating humanity that is on display with each outing grows heavier and heavier, so when it was announced that Armageddon Time would be a semi-autobiographical story about a critical point in Gray’s own childhood, it felt like both an inevitability and a slam dunk.
Rye Lane
Few films in 2023 will reach the peaceful bliss that Hulu’s newest streamer Rye Lane does, a movie about two lost twenty-somethings recovering from painful breakups over the span of one eventful afternoon in South London. Told through an episodic lens that depicts the steps from heartbreak to a restored faith in relationships, Rye Lane is a cheerful reimagining of the romantic comedy.
Players
Players is comfortable with just existing rather than flourishing and finding new territory to cover in this expansive romantic comedy genre of movies. Netflix’s latest film is just as light and unremarkable as nearly every other one that they’ve produced. Gina Rodriguez and Damon Wayans Jr. co-star in lackluster, windless entry.
