Here are Cinephile Corner’s 10 recommendations for animated movies like The Bad Guys:
Elio
Conceived by Adrian Molina and then handed off to Domee Shi and Madeline Sharafian, Elio bears the fingerprints of multiple creative voices. You can feel the push and pull in its structure. Elio (voiced with wide-eyed sincerity by Yonas Kibreab) is accidentally identified as the leader of Earth and whisked to the Communiverse, a galactic council where rival species debate, posture, and search for common ground. Back home, a clone holds his place while his guardian, Aunt Olga (Zoe Saldaña), an Air Force major who shelved astronaut dreams to raise her nephew, tries to keep life steady. The movie toggles among coming-of-age comedy, interstellar diplomacy satire, and family melodrama, which gives Elio scope, but also leaves it feeling overstuffed and under-shaped.
Teenage Mutant Ninja Turtles: Mutant Mayhem
Teenage Mutant Ninja Turtles: Mutant Mayhem does just enough to get by, relying on innocent jokes and beautiful art style to win viewers over. While maybe not the overwhelming achievement like the Spider-Verse movies or The Mitchells vs. The Machines (two Sony properties that feel like huge inspirations for this picture), Mutant Mayhem finds its own space by delivering to fans longing for a reimagining of this universe.
Read our full review of Teenage Mutant Ninja Turtles: Mutant Mayhem
Despicable Me 4
Despicable Me 4 carries the same wistful, harmless energy that the other two sequels had, even if that means that they all live inside the shadow of the original 2010 hit. Because despite the limitations brought forward by the original, there were enough new characters and ideas to make worthwhile a movie.
Moana 2
Even as someone who wasn’t enamored with Moana, it’s clear Moana 2 is a significant downgrade. It lacks the heart, charm, and polish of the original, delivering a drab, forgettable experience that feels like it was made on autopilot.
The Bad Guys 2
The Bad Guys 2 keeps the zippy, sketchbook energy that made DreamWorks Animation’s first film easy on the eyes, then stalls once the heist machinery starts clicking. The hybrid 2D/3D look still pops, indebted or comparable to the splashy stylings of Sony’s Spider-Verse and The Mitchells vs. The Machines and even Pixar’s Turning Red. The trouble is everything wrapped in that packaging. Two movies in, this world and its reformed crooks still feel thin.
Nimona
Nimona tries to strike at the same imaginative core that worked so well for a few of Netflix’s animated releases from a year ago, namely The Sea Beast and Guillermo del Toro’s Pinocchio, but instead comes out overbaked – trying to have its way in so many directions that it just ultimately feels lost within so many ideas.
Incredibles 2
Incredibles 2 is about as action packed, well-conceived, and carefully executed as sequels can get in the superhero (and animated) genre. Brad Bird and Pixar Studios manage to inject new life into a world we haven’t visited in well over a decade.
The Twits
Netflix’s Roald Dahl push has produced a few genuine bright spots, from Wes Anderson’s The Wonderful Story of Henry Sugar shorts to the enduring charm of Fantastic Mr. Fox. The Twits is not one of them. Phil Johnston’s animated take on Roald Dahl’s book leans hard into kid-only chaos and forgets the cross-generational spark that made Wonka with Timothée Chalamet and Henry Selick’s Coraline feel timeless for families. What lands instead is a noisy, sugar-rush riff that rarely finds a rhythm adults can enjoy alongside their kids.
Rally Road Racers
Rally Road Racers doesn’t offer much beyond being a palatable kids movie that goes down easily. Light on stakes and emotion, the film works strictly on the premise that working faster beats working harder. It’s easier to reconcile this notion given the premise of Rally Road Racers, which goes hand-in-hand with the breakneck speed with which it’s told.
Leo
Leo is a reptilian romp that surprises with its unexpected humor and heart, carried by Adam Sandler, Bill Burr, and a fun voice acting cast. While it may not be a genre-defining masterpiece, Leo succeeds in delivering a singular story and surpasses many animated movie releases in 2023.