Here are Cinephile Corner’s 10 recommendations for movies like Sicario:
Triple Frontier
J.C. Chandor delivers another remarkably succinct heist drama with Triple Frontier – with a cast about as strong as one can possibly get. Oscar Isaac and Ben Affleck lead a team of former special ops soldiers into South America to retrieve a large sum of money, and the events spiral from there. Chandor’s 2019 film stands among the best action movies of the late-2010s.
No Country for Old Men
Revisiting No Country for Old Men on its 4K Criterion Collection release reminded me why this film stands among the greats—not just of 2007, not just of the 21st century, but of all time. It’s Joel and Ethan Coen at their most precise and uncompromising, blending their dualistic approach to filmmaking: the sharp nihilism of their darker works with the understated, situational humor that defines their lighter outings. It’s a masterpiece of tension, craft, and existential dread, all wrapped in a narrative as sparse and unrelenting as the Texas landscape it inhabits.
Guy Ritchie’s The Covenant
The Covenant effectively sandwiches two rescue missions back-to-back in a tightly controlled narrative. It’s a two hander, sneakily becoming an anthology of several strong stories and ideas working within one another. Jake Gyllenhaal and Dar Salim headline the movie, and each get half of the film to take the lead.
Rebel Ridge
Jeremy Saulnier is continuing to show that there aren’t many filmmakers capable of making movies like he is. Rebel Ridge occasionally establishes him as an auteur capable of extreme visceral sequences and building up tension that will make you squirm in your seat, but I’m not as sold on his attempt to tie these themes to this story. A good movie made by a director capable of making great movies.
Top Gun: Maverick
Top Gun: Maverick still feels fresh – for its direction, for its acting, and for its precise attention to emotion and payoff. Every moment feels important and finely tuned, and every actor and actress fits perfectly within this nostalgia-laden juggernaut. A real hit, and one of my favorite movie theater experiences of all time.
Blade Runner 2049
Blade Runner 2049 tries to operate in two separate modes, as a humane and personal drama, and a science fiction epic. While these two styles work in their own separate veins, they cross to make a visually stunning, emotionally hollow movie. Denis Villeneuve directs himself into a corner with this one.
Dunkirk
Dunkirk may just be Christopher Nolan’s most improbable and precise movie. A technical revelation that feels like the stretched out third act of a war epic. All this time later, nothing has aged poorly in this cinematic achievement.
Enemy
Enemy‘s true power lies in its ambiguity. Unlike conventional narratives that spoon-feed answers, Denis Villeneuve invites the audience to actively participate in unraveling the movie’s enigmatic plotlines. The recurring spider motif becomes a potent symbol, open to individual interpretation. Is it a harbinger of danger, a manifestation of repressed desires, or simply a narrative thread to guide us through the inner turmoil of Adam (Jake Gyllenhaal)? The beauty lies in the absence of definitive answers for Enemy, where Denis allows you to form your own conclusions.
Warfare
Warfare is the kind of war film that forgoes grandiosity in favor of raw, boots-on-the-ground immediacy, and the result is a lean, harrowing experience that feels startlingly real. Co-directed by Alex Garland and former Navy SEAL Ray Mendoza, the film comes just a year after Garland’s more polarizing and thematically ambiguous Civil War—a movie that aspired to be a socio-political reckoning but often buckled under the weight of its own ideas. In contrast, Warfare is stripped down and visceral in a way that’s much more effective.
Arrival
Arrival is a beautifully presented, excellently edited piece of work that stands as a testament to Denis Villeneuve’s directorial ability and taste. Amy Adams and Jeremy Renner costar in one of the 2010s best science fiction movies.