Here are Cinephile Corner’s 10 recommendations for movies like Night Always Comes:
The Game
Fresh off the success of Se7en, David Fincher used the opportunity to make a move that is deeply idiosyncratic and cynical, matching his personal interests with a story that breaks down the infrastructure of masculinity in a world of wealthy businessmen. The Game is not only a David Fincher movie, it feels like the most David Fincher movie, and amalgamation of common themes regurgitated with each film that follows.
Hypnotic
At least Hypnotic mostly understands its role as a B-side psychological thriller. It’s certainly not on the same scale as some of Hollywood’s biggest blockbusters, and it relishes in its audacious premise and tries to have fun in the margins. If a more committed Ben Affleck showed up, and the script knew when to hit the brakes, there may have been a better movie here at play. Instead, Hypnotic lands with a quiet thud and leaves without a trace.
Missing
Newcomers Nicholas D. Johnson and Will Merrick develop a computerized slow burner with Missing – one that will rope you in with twists left and right and a deeply impactful third act. Solid performances across the board make Missing one of the better releases early in 2023.
Nightmare Alley
Guillermo del Toro has built a career on finding beauty in darkness, crafting stories that, even in their bleakest moments, hold onto some sense of wonder, nostalgia, or hope. Movies like Pan’s Labyrinth, The Shape of Water, and his stop-motion Pinocchio remake all explore the perseverance of the human spirit, even in the face of terrible atrocities. That’s what makes Nightmare Alley such a striking outlier in his filmography—it’s a film almost entirely devoid of hope, a cynical neo-noir that suggests people are, at their core, selfish and opportunistic. Instead of offering redemption, Nightmare Alley leaves you with a sick feeling in your stomach, hammering home its central thesis: trust is a liability, and grifters will always find a way to exploit it.
Sharper
What starts as a slick, innovative thriller slowly turns for the worst as Sharper gets lost in every plot twist you can think of. While trying to stay one step ahead of the audience, it devolves into absurdist chaos that its stellar cast can’t keep up with.
Another Simple Favor
Another Simple Favor isn’t just a misfire—it’s a symptom of the growing problem with streaming-era content. What once felt like an opportunity to tell smaller, riskier stories has increasingly become a dumping ground for shallow IP extensions that lack any creative spark. This is not a thriller. It’s not even really a movie. It’s plain, dull, and disposable “content.”
Don’t Worry Darling
While it’s easy to point fingers and blame the film’s issues on just a few individuals, Don’t Worry Darling, at its core, is flawed. A meandering story can’t be saved by Florence Pugh and Harry Styles.
Ocean’s Eleven
Ocean’s Eleven might just be the coolest heist movie ever made. Directed by Steven Soderbergh and featuring one of the most effortlessly charismatic ensembles in film history—George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Andy Garcia—it’s a masterclass in smooth, stylish entertainment. Decades later, it remains endlessly rewatchable, a perfect blend of clever plotting, sharp dialogue, and pure Hollywood star power.
Enemy
Enemy‘s true power lies in its ambiguity. Unlike conventional narratives that spoon-feed answers, Denis Villeneuve invites the audience to actively participate in unraveling the movie’s enigmatic plotlines. The recurring spider motif becomes a potent symbol, open to individual interpretation. Is it a harbinger of danger, a manifestation of repressed desires, or simply a narrative thread to guide us through the inner turmoil of Adam (Jake Gyllenhaal)? The beauty lies in the absence of definitive answers for Enemy, where Denis allows you to form your own conclusions.
Holland
Holland feels like a half-baked thriller with a solid premise but a lackluster execution. Mimi Cave’s Fresh had a bold, distinctive style, whereas Holland feels like a retread of better films with similar narratives. Nicole Kidman stars alongside Matthew Macfadyen and Gael García Bernal.