Here are Cinephile Corner’s 10 recommendations for movies like Mexico 86:
BlackBerry
Zipping through the years of the rise and fall of the first texting cellphone, the aptly-titled BlackBerry serves as a fantastic tale of corporate greed and those incapable of dealing with the success and fame that comes with building new technology. Incredible acting and direction contributes to one of 2023’s best movies.
Moneyball
Moneyball might not look or sound like your typical sports movie, but that’s precisely what makes it the greatest one ever made. Directed by Bennett Miller and written by Aaron Sorkin and Steven Zaillian, this 2011 adaptation of Michael Lewis’ bestselling nonfiction book isn’t just about baseball—it’s about systems, failure, reinvention, and what it means to succeed on your own terms. At its core, it’s a somber, deeply human character study, anchored by what may be the best performance of Brad Pitt’s career.
Air
Adequately titled Air, Ben Affleck‘s newest directing effort sits in the clouds as it enjoys rummaging through the events that led to Michael Jordan’s lucrative “Air Jordan” shoe deal with Nike. Told from the perspective of blazing Sonny Vaccaro, Air enjoys living in the small details of nostalgia and sports branding.
Next Goal Wins
Taika Waititi’s signature humor, a double-edged sword that can either delight or alienate audiences, is on full display in Next Goal Wins, for better or for worse. The movie, much like a soccer match with sporadic moments of excitement, struggles to maintain a consistent rhythm.
The Luckiest Man in America
The Luckiest Man in America has a hook that practically sells itself: the real 1984 Press Your Luck taping where contestant Michael Larson figured out the board’s pattern and just kept winning. The director and cast clearly understand how inherently cinematic that setup is, which is why the first half of the film hums along. Paul Walter Hauser plays Larson as an overeager, slightly slippery everyman who has convinced himself that cracking a game show will finally prove he is not ordinary. The movie is at its liveliest in the TV studio, watching him time his button presses to avoid the Whammy, watching the dollar amounts stack, and cutting to the increasingly horrified and impressed control room.
Marty Supreme
Marty Supreme is Josh Safdie working at his widest canvas, a 1950s period piece about a showman who can sell anything until he sells himself short. Marty Mauser, played by Timothée Chalamet, is a ping pong phenom, a sneaker salesman for his uncle, a serial charmer who glides from city to city on other people’s dimes. The world fits neatly in his palm until it does not. Safdie’s favorite subject has always been appetite colliding with reality, and this time the arc is bookended by matches that frame a life lived at match point.
F1 The Movie
F1 The Movie is not in the same league as Top Gun: Maverick or Only the Brave, but it’s a clear step above Joseph Kosinski’s more uneven efforts like Tron: Legacy or Oblivion. It’s a little formulaic, a bit heavy-handed with its exposition, and sometimes hampered by one-note supporting characters. But when it’s in motion—when the cars are screaming down straights, weaving through chicanes, and risking it all on the final lap—it’s exactly the kind of summer movie spectacle we don’t get enough of anymore. Not a podium finish, but definitely worthy of a strong showing in the points.
Highest 2 Lowest
Spike Lee’s Highest 2 Lowest, his reimagining of Akira Kurosawa’s High and Low, proves how easily one of cinema’s greatest stories can be adapted to the modern era. The update doesn’t reinvent the wheel, but with Lee behind the camera and Denzel Washington in the lead, it’s both stylish and engrossing – one of the stronger Spike Lee movies of the century and one of the best Apple TV+ originals to date.
The Phoenician Scheme
The Phoenician Scheme finds Wes Anderson at perhaps his most emotionally direct since The Grand Budapest Hotel, yet without sacrificing the signature aesthetic and structural quirks that define his work. Where recent efforts like Asteroid City and The French Dispatch relied heavily on narrative framing devices, nested storytelling, and dense, text-heavy scripts, The Phoenician Scheme plays more like an emotional adventure story—a film that hits hardest on first viewing, even as it leaves behind layers to explore on rewatches.
White Noise
Don DeLillo’s 1985 novel White Noise has often been considered unfilmable. The postmodern classic grows more and more timely by the year, which may be the exact reason why acclaimed auteur Noah Baumbach decided to try his own hand at it. The source material is rich – mostly commenting on consumerism and global warming amid a fractured landscape between the media and internal families. As you can imagine, some pretty weighty material that’s difficult to precisely package together in the span of two hours.
READ MORE: Mexico 86 (2026), Movies Like Moneyball, Movies Like BlackBerry
