
Here are Cinephile Corner’s 10 recommendations for movies like The Marked Woman:
Knox Goes Away
Knox Goes Away becomes a race against time for the titular character, outrunning the police and attempting to make good on his past before his own memory deteriorates beyond recoverable. Knox Goes Away could’ve been a surprisingly enthralling genre movie, but instead resorts too often to run-of-the-mill technical work and plot choices.
The Killer
The Killer is nothing short of a triumph for David Fincher and a treat for fans of his filmography. It may be the most Fincherian movie ever made, but far from devolving, it solidifies his mastery of the medium. A calm Michael Fassbender performance helps seal The Killer as on of the best movies of 2023.
Play Dirty
Play Dirty is the latest in Prime Video’s conveyor belt of glossy but weightless action titles. You can feel the intentions are different this time, since Shane Black aims for a straighter crime caper rather than the snarky crackle of The Nice Guys or Kiss Kiss Bang Bang. On paper, the package looks sturdy. Mark Wahlberg plays Parker, LaKeith Stanfield plays Grofield, and Rosa Salazar plays Zen, a trio of professional thieves drawn into a job that pits them against the New York mob and the president of Zen’s South American home country. In practice the movie is mostly table setting that never pays off.
The Order
The Order may not offer anything particularly new by industry standards, but Justin Kurzel‘s direction keeps the film engaging and intriguing as the story unfolds. It’s well-made and interesting, even though it draws on themes and styles found in many similar movies. While some argue that Hollywood no longer makes films like it used to, The Order feels like it came from a different time.
The Rip

I ended up liking The Rip more than I expected to, and less than I wanted to. It is better than a lot of recent action-thriller comfort food, and it has enough atmosphere and mistrust to keep you locked in. It just never quite becomes the great Miami cop paranoia movie it keeps teasing. Solid, serviceable, occasionally tense, and a reminder that with this cast and this premise, there was a meaner, sharper version sitting right there.
Highest 2 Lowest

Spike Lee’s Highest 2 Lowest, his reimagining of Akira Kurosawa’s High and Low, proves how easily one of cinema’s greatest stories can be adapted to the modern era. The update doesn’t reinvent the wheel, but with Lee behind the camera and Denzel Washington in the lead, it’s both stylish and engrossing – one of the stronger Spike Lee movies of the century and one of the best Apple TV+ originals to date.
Cloud
Kiyoshi Kurosawa’s Cloud is a taut, unnerving slow-burn thriller that reminds us just how masterfully he captures the quiet dread of modern life. Known for his foundational work in J-horror like Cure and Pulse, Kurosawa has always operated in a unique tonal register – where isolation, societal rot, and moral ambiguity simmer just beneath the surface. With Cloud, he’s returned to that sensibility in striking form, offering something that isn’t quite horror, not quite crime, but unmistakably Kurosawa: eerie, deliberate, and steeped in existential tension.
Rebel Ridge
Jeremy Saulnier is continuing to show that there aren’t many filmmakers capable of making movies like he is. Rebel Ridge occasionally establishes him as an auteur capable of extreme visceral sequences and building up tension that will make you squirm in your seat, but I’m not as sold on his attempt to tie these themes to this story. A good movie made by a director capable of making great movies.
Missing
Newcomers Nicholas D. Johnson and Will Merrick develop a computerized slow burner with Missing – one that will rope you in with twists left and right and a deeply impactful third act. Solid performances across the board make Missing one of the better releases early in 2023.
A History of Violence
Leave it to David Cronenberg to deconstruct the mythical American hero with odd wit and clinical detail. A History of Violence looks like a small-town melodrama on the surface, then peels back skin to expose identity, impulse, and the stories we tell to survive. Viggo Mortensen gives one of his sharpest performances as Tom Stall, a soft-spoken diner owner whose quick, efficient dispatching of two spree killers turns him into a local legend and blows up the quiet life he has built with Edie, played with fierce tenderness by Maria Bello.
READ MORE: The Marked Woman (2026), Movies Like Play Dirty, Movies Like Knox Goes Away



















