
Here are Cinephile Corner’s 10 recommendations for animated movies like Robots:
The Wild Robot
The overall package of The Wild Robot is ultimately quite honorable and noteworthy. The animated genre offers just a few great movies a year, and The Wild Robot falls into that category. It’s probably the frontrunner for Best Animated Picture at the Academy Awards, and I’d add that we’ve had much worse winners should this take home the prize. It’s sweet and effortlessly likeable, even if you can see the mechanisms of it working behind the scenes.
Robot Dreams
Suitable for children while also extremely relatable for adults, Robot Dreams is one of the most uncomplicatedly pleasant experiences I’ve had with a movie in 2024. It’s nice to relive an animation style that once was the norm, while also seeing it adapted in prescient and timely ways. Robot Dreams, while small scale and innocent, feels like the much needed break from convention.
Lightyear
There’s a lack of interesting, personable characters within Lightyear, as if they were all typecast from other Pixar movies. They’re either sentimentally sweet, aloof, or arrogant. And maybe the movie could’ve been saved had these characters had more time to develop and interact, but that aspect of the film is tossed aside frequently for big action set pieces and rambunctious chase sequences.
Shrek
Shrek stays winning! I don’t think its in the pantheon of great animated movies this century (Pixar has made movies superior to this just in the last few years), but it’s pretty entertaining and funny for what it strives to be. Mike Myers and Eddie Murphy are terrific voice actors.
Dog Man
Dog Man is quick, goofy, and genuinely entertaining—a rare kids movie that doesn’t insult its audience’s intelligence. For viewers expecting a hollow, IP-driven cash grab, this ends up being a pleasant surprise. It’s a mid-tier animated film that punches a little above its weight, and for families looking for something fast, funny, and a little off-kilter, it more than delivers.
Incredibles 2
Incredibles 2 is about as action packed, well-conceived, and carefully executed as sequels can get in the superhero (and animated) genre. Brad Bird and Pixar Studios manage to inject new life into a world we haven’t visited in well over a decade.
Despicable Me 4
Despicable Me 4 carries the same wistful, harmless energy that the other two sequels had, even if that means that they all live inside the shadow of the original 2010 hit. Because despite the limitations brought forward by the original, there were enough new characters and ideas to make worthwhile a movie.
WALL-E
Over fifteen years later, I’m not sure Disney Pixar Studios has made a movie nearly as insightful, colorful, and ambitious as WALL-E. As an allegory for corporate greed and environmental neglect, the film operates on such a concise and straightforward manner – Pixar’s strongest thematic statement in their catalogue.
Sonic the Hedgehog 3
I think I like the idea of a Sonic Cinematic Universe more than any of the actual movies within it. That’s not to say the Sonic the Hedgehog films have been without their charms—Jim Carrey as Dr. Robotnik remains an over-the-top but mostly entertaining presence, and the animated Sonic characters, from Sonic (Ben Schwartz) to Tails (Colleen O’Shaughnessey) and Knuckles (Idris Elba), translate surprisingly well into a live-action world.
Wendell & Wild
Henry Selick’s latest entry into the stop-motion microgenre Wendell & Wild contains every ounce of charisma and wonder that fueled his previous works and terrified children like myself growing up, but watching his newest effort as a more aware and critical viewer, there are just too many structural components that don’t connect into a larger, fully-realized puzzle.





















