Score: 7

Barbara (2012)

Barbara Review: Christian Petzold’s Hospital Drama Conveys a Lot Without Saying Much

Final Destination Bloodlines (2025)

Final Destination Bloodlines Review: Death Finds Even More Ways

F1 The Movie (2025)

F1 The Movie Review: Joseph Kosinski’s ‘Top Gun: Maverick’ Follow-up Sees Brad Pitt as an Aging Formula One Driver

28 Days Later (2002)

28 Days Later Review: Danny Boyle’s 2002 Lo-Fi Zombie Cult Classic Remains Essential

Friendship (2025)

Friendship Review: Tim Robinson and Paul Rudd Buddy up in A24’s Acidic Riff on Male Affinity

Warfare (2025)

Warfare Review: Alex Garland and Ray Mendoza Co-direct a Precise Boots-On-The-Ground War Film

Predator: Killer of Killers (2025)

Predator: Killer of Killers Review: Dan Trachtenberg’s ‘Prey’ Follow-up is Effective Animated Fanfare

Dangerous Animals (2025)

Dangerous Animals Review: Vicious Sharks in Endless Waters

The Woman in the Yard (2025)

The Woman in the Yard Review: Jaume Collet-Serra’s Return to Horror Doesn’t Get Too Bogged Down in Grief and Trauma

Bottle Rocket (1996)

Bottle Rocket Review: Wes Anderson’s Debut Film Remains Essential Viewing

Mission: Impossible - Rogue Nation (2015)

Mission: Impossible – Rogue Nation Review: Ethan Hunt Tracks ‘The Syndicate’ in Christopher McQuarrie’s First M:I Franchise Entry

Mission: Impossible III (2006)

Mission: Impossible III Review: Philip Seymour Hoffman and Tom Cruise Go Toe-To-Toe in J.J. Abrams’ Debut Film

Thunderbolts* (2025)

Thunderbolts* Movie Review: Marvel Reshuffles the Deck With a Band of Down-On-Their-Luck Misfits

About Schmidt (2002)

About Schmidt Review: Jack Nicholson Navigates Grief in Alexander Payne’s Excellent Early Career Oscar Contender

Eephus (2025)

Eephus Review: Carson Lund’s Ode to America’s Pastime and the End of an Era

The Shrouds (2025)

The Shrouds Review: David Cronenberg Navigates Grief in His Divisive, Self-Reflexive Drama

Test Pattern

Test Pattern Review: Shatara Michelle Ford’s Devastatingly Real Debut Film

The Beast (2024)

The Beast Review: Bertrand Bonello’s Time-Jumping Soft Sci-Fi Relies on Léa Seydoux and George MacKay

The Revenant (2015)

The Revenant Review: Leonardo Dicaprio Fights Bears and the Wilderness in Alejandro González Iñárritu’s Best Movie

The Host (2006)

The Host Review: Bong Joon-Ho’s Creature Feature Uses Classic Genre Tropes to Tell a Fresh Story

Ocean's Thirteen (2007)

Ocean’s Thirteen Review: Steven Soderbergh’s Heist Trilogy Returns to Its Las Vegas Roots