All Quiet on the Western Front (2022)

All Quiet on the Western Front Review: An Anti-War Epic That Strengthens the Wheel Rather Than Breaking It

Amsterdam (2022)

Amsterdam Review: The Cast is Great, The Movie is Not

The Eternal Daughter (2022)

The Eternal Daughter Review: Tilda Swinton’s Ghostly Performances Can’t Save a Bloated Script

Bodies Bodies Bodies (2022)

Bodies Bodies Bodies Review: A Vibrant and Timely A24 Product Poking Fun at Youth Culture

Sr. (2022)

Sr. Review: An Earnest and Stunning Documentary About the Downeys

Bodies Bodies Bodies (2022)

The 10 Best Horror Movies of 2022

Violent Night (2022)

Violent Night Review: Santa Gets Bloody in a Successful Holiday Action Flick

Triangle of Sadness (2022)

Triangle of Sadness Review: Ruben Östlund’s Palme d’Or Winning Satire Struggles to Fire on All Cylinders

Armageddon Time (2022)

Armageddon Time Review: Semi-Autobiographical Film from James Gray Cuts One Notch Deeper Than Its Contemporaries

Black Panther: Wakanda Forever (2022)

Black Panther: Wakanda Forever Review: At Times Overstuffed, But Its Sincerity Reigns Supreme

She Said (2022)

She Said Review: Hollywood Struggles to Look in the Mirror

Dual (2022)

Dual Review: Riley Stearns Successfully Delivers Another Bleak Comedy

Black Adam (2022)

Black Adam Review: What Are We Even Doing Here?

Wendell & Wild (2022)

Wendell & Wild Review: A Largely Bland and Stale Halloween Treat

The Redeem Team (2022)

The Redeem Team Review: A Secret Tribute to Kobe Bryant, the Player and the Person

Malignant (2021)

The Definitive Modern-Day Horror Movie Starter Pack

Ticket to Paradise (2022)

Ticket to Paradise Review: Julia Roberts and George Clooney Float Along in Typical Romantic Comedy

Raymond & Ray (2022) movie poster

Raymond & Ray Review: Ethan Hawke and Ewan McGregor Star in an Underbaked Familial Drama

Smile (2022)

Smile Review: The Trauma Plot Does Not Thicken

Barbarian (2022)

Barbarian Review: Zach Cregger Delivers New, Singular Horror Vision With Brilliant Twists

Morbius (2022)

Morbius Review: It’s Not Morbin’ Time