Sanctuary (2023)

Sanctuary Review: Margaret Qualley and Christopher Abbott Both Shine in This Single-Room Psychological Thriller

Asteroid City (2023)

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Asteroid City (2023)

Asteroid City Review: New Wes Anderson Film Brings Humane Problems to a Cosmic Level

Indiana Jones and the Dial of Destiny (2023)

Indiana Jones and the Dial of Destiny Review: Harrison Ford Deserves a More Fitting Send-off Than This

Showing Up (2023)

Showing Up Review: Kelly Reichardt’s Latest With Michelle Williams Deep Dives the Artistic Process

Are You There God? It's Me, Margaret. (2023)

Are You There God? It’s Me, Margaret. Review: An Uncomplicated Comedy From Kelly Fremon Craig

No Hard Feelings (2023)

No Hard Feelings Review: Jennifer Lawrence Attempts to Revive a Genre on Life Support

Rushmore (1998)

Rushmore Review: Wes Anderson’s Acidic Breakthrough Still Feels New 25 Years Later

Inside (2023)

Inside Review: Willem Dafoe’s Claustrophobic Thriller Goes Nowhere

65 (2023)

65 Review: Even Adam Driver Can’t Save a Script Unworthy of His Talents

The Royal Tenenbaums (2001)

The Royal Tenenbaums Review: Wes Anderson’s Perfect Blend of Broken Families and Controlled Chaos

John Wick: Chapter 4 (2023)

John Wick: Chapter 4 Review: The Franchise Surges Miles Ahead of Its Contemporaries

Elemental (2023)

Elemental Review: Pixar Makes a Bold Statement About Unfortunate Societal Tendencies

Paint (2023)

Paint Review: Owen Wilson’s Cooky Bob Ross-Inspired Film Wears Its Influences on Its Sleeves

Reality (2023)

Reality Review: A Tiring 83 Minute Sydney Sweeney Movie

Master Gardener (2023)

Master Gardener Review: Paul Schrader Plays All The Hits In Another Self-Parodying Gem

The Old Way (2023)

The Old Way Review: Nicolas Cage Western is Generic and Lazy

BlackBerry (2023)

BlackBerry Review: A Reinvigorating Comedy Punching at Corporate Greed

The Little Mermaid (2023)

The Little Mermaid Review: A Disney Remake Slightly Better Than the Others, But Still Going Through the Motions

A Thousand and One (2023) movie

A Thousand and One Review: Teyana Taylor Shines in a Deeply Empathetic Portrait of Holding a Family Together in 1990s Harlem

Beau Is Afraid (2023)

Beau is Afraid Review: The Wild, Audacious Epic From Ari Aster