Trap (2024)

Trap Review: Josh Hartnett Evades Police in M. Night Shyamalan’s Awkward Concert Film

Hell Hole (2024)

Hell Hole Review: John Adams and Toby Poser Get Lost in the Shudder Formula

Wild at Heart (1990)

Wild at Heart Review: David Lynch’s Controversial Palme d’Or Winner with Nicolas Cage and Laura Dern

Rebel Ridge (2024)

Rebel Ridge Review: Aaron Pierre Breaks Bones in Angry New Netflix Revenge Film from Jeremy Saulnier

Robot Dreams (2024)

Robot Dreams Review: Pablo Berger’s Oscar Nominated Animated Film is Effortlessly Sweet and Effective

Blue Velvet (1986)

Blue Velvet Review: David Lynch’s Iconic Dive into Darkness with Kyle MacLachlan, Laura Dern, and Dennis Hopper

The Elephant Man (1980)

The Elephant Man Review: David Lynch’s Heartfelt Exploration of Humanity with Anthony Hopkins and John Hurt

MaXXXine (2024)

MaXXXine Review: Ti West Closes Out the Mia Goth ‘X’ and ‘Pearl’ Trilogy to Middling Results

Sting (2024)

Sting Review: Australian Creature Feature Succumbs to Usual Horror Movie Tropes

Kinds of Kindness (2024)

Kinds of Kindness Review: Yorgos Lanthimos’ Triptych Fable Overstays Its Welcome

Signs (2002)

Signs Review: M. Night Shyamalan’s Best Movie Brings Family Together in Alien Sci-Fi Classic

A Quiet Place: Day One (2024)

A Quiet Place: Day One Review: Michael Sarnoski Directs Uneven Franchise Horror Film with a Stellar Cast

Knox Goes Away (2024)

Knox Goes Away Review: Michael Keaton Loses His Memory in Dry ‘Barry’ Riff

The Bikeriders (2024)

The Bikeriders Review: Tom Hardy and Austin Butler are Greasy Bikers in Jeff Nichols’ Pastiche-Heavy, Roaring Drama

The Instigators (2024)

The Instigators Review: Matt Damon and Casey Affleck Team in Generic Apple TV+ Heist Movie

Eraserhead (1977)

Eraserhead Review: David Lynch’s Indelible Debut Still Stands Among the Film Industry’s Finest

Horizon: Chapter 1 (2024)

Horizon: An American Saga – Chapter 1 Review: Kevin Costner’s 3 Hour Western Has the Personality of a Glass of Water

The Watchers (2024)

The Watchers Review: Ishana Night Shyamalan Crafts an Intriguing Setup that Falls Apart in the End

Evil Does Not Exist (2024)

Evil Does Not Exist Review: Ryūsuke Hamaguchi’s Eco-Fable is One of 2024’s Best International Films

Janet Planet (2024)

Janet Planet Review: Debut Annie Baker Film Lulls You into Submission

chime

Chime Review: Lean Atmospheric Horror from Kiyoshi Kurosawa