Here are Cinephile Corner’s 10 recommendations for movies like The Adam Project:
Guardians of the Galaxy Vol. 3
Remember feeling overwhelmed and fulfilled leaving a Marvel movie? Neither did I, until I saw James Gunn’s Guardians of the Galaxy Vol. 3 – an emotional gut punch and a perfect swan song to this set of weirdos. The first must-see Marvel film in a while.
Everything Everywhere All at Once
To put into words how exhilarating Everything Everywhere All at Once is isn’t easy to do. A film unlike any other, it pushes every filmmaking possibility to the brink in 2022. Many films come and go with the wind, but Everything Everywhere All at Once will be in our culture for years – even decades. The phrase “modern classic” doesn’t apply to films very frequently, but this is one of those instances where it feels justified.
The Electric State
It’s becoming increasingly unclear whether the Marvel Cinematic Universe needs Joe and Anthony Russo more, or if the Russo brothers need the MCU. Since directing Avengers: Endgame, the highest-grossing film of all time at its peak, the duo has struggled to find their footing outside the franchise. Their post-MCU projects, including Cherry and The Gray Man, failed to impress, yet Netflix decided to double down with them for The Electric State—a costly gamble that ultimately doesn’t pay off.
The Fall Guy
The Fall Guy is a mixed bag of ideas and execution, but the overall experience of seeing the movie is worth considering because of the sheer star power at play – notably Ryan Gosling and Emily Blunt. The film is humming best as it moves along, thanks to lengthened action sequences where director David Leitch squeezes every ounce of juice from the movie.
Venom: The Last Dance
It’s unfortunate to say, but Venom: The Last Dance, the concluding chapter of Sony’s Venom trilogy, feels like a misstep. Stripped of much of the charm and irreverence that made its predecessors enjoyable, this installment doubles down on dense exposition and formulaic storytelling, leaving little of the fun that defined the series’ earlier outings.
The Flash
The Flash doesn’t do the skeleton of the DCEU any favors. A cartoonish and goopy visual mess, the movie shows the worst of this expanded universe – cobbled together crossovers and derivative stakes.
Madame Web
There might be a fun, oddly interesting, “so bad that it’s good” movie with Madame Web, but it’s marred by so many technical errors and misfires that it makes the film hard to take seriously on any level. Dakota Johnson and Sydney Sweeney are a strange pairing for a superhero movie setting up further adventures down the line.
Borderlands
Maybe this was a doomed project from the start. Video game adaptations are notoriously difficult to pull off, and the idea of a Borderlands movie led by Cate Blanchett and Kevin Hart always felt like an odd fit. Their acting styles, combined with Eli Roth’s directorial approach, were never going to align into something cohesive. The result is exactly what I feared—a loud, obnoxious, and utterly forgettable misfire that does little justice to its source material.
Ant-Man and the Wasp: Quantumania
Ant-Man and the Wasp: Quantumania serves as a critical turning point in the Marvel Cinematic Universe. The movie simultaneously introduces Jonathan Majors as Kang the Conqueror and tries to steer the inconsistent MCU back on track. It may not entirely succeed, but Paul Rudd‘s latest movie has a few glimmering pieces.
Transformers: Rise of the Beasts
Rise of the Beasts is better than nearly any Transformers film, or perhaps it’s just better at not being a noticeably abysmal movie. To blubber a plot synopsis of any of the Transformers movies seems like a task done only by the deranged. They draw you so far into the weeds that it’s hard to keep your bearings while you watch them (Who’s the villain this time? How’s that different from the last?). But regardless, they keep chugging along.
READ MORE: The Adam Project (2022)
