Here are Cinephile Corner’s 10 recommendations for movies like TRON: Legacy:
Blade Runner 2049
Blade Runner 2049 tries to operate in two separate modes, as a humane and personal drama, and a science fiction epic. While these two styles work in their own separate veins, they cross to make a visually stunning, emotionally hollow movie. Denis Villeneuve directs himself into a corner with this one.
Dune: Part Two
There’s nothing like Dune: Part Two, which feels like it could only be conceived by Denis Villeneuve and the best crew around him possible. Everyone is working at the top of their game to create one of the best theatergoing experiences of 2024. Timothée Chalamet and Zendaya star in the science fiction movie that stands against the genre’s best.
The Adam Project
It has a heaping amount of heart and a dash of whit, but The Adam Project failed to deliver the breathtaking science fiction blockbuster that Netflix was hoping it would. The action vehicle for Ryan Reynolds lands with a soft thud.
Ant-Man and the Wasp: Quantumania
Ant-Man and the Wasp: Quantumania serves as a critical turning point in the Marvel Cinematic Universe. The movie simultaneously introduces Jonathan Majors as Kang the Conqueror and tries to steer the inconsistent MCU back on track. It may not entirely succeed, but Paul Rudd‘s latest movie has a few glimmering pieces.
Avatar: The Way of Water
The Way of Water absolutely comes through and pulls off a better experience than the first Avatar film could ever dream of. It’s emotionally riveting and absolutely deserves to be seen on a big screen. The best films make you laugh, gasp, and cry. The Way of Water pulls off all three. Simply put, don’t bet against James Cameron.
Aquaman and the Lost Kingdom
I rarely subscribe to the notion that a movie can be “so bad that it’s good,” but there’s a rhythm to Aquaman and the Lost Kingdom that occasionally worked for me. I acknowledge so many of the aspects that cause it to fall short, but in an era of superhero movies (particularly DC superhero movies) that are content with being unadventurous, at least The Lost Kingdom finds some glossy, overly indulgent ways to be weird. It has the usual James Wan touch.
Superman
I had mixed feelings heading into James Gunn’s 2025 Superman, his latest take on one of the most iconic superheroes in popular culture. Early trailers and previews left me underwhelmed, with so-so CGI and dialogue that didn’t land. Die-hard Superman fans seemed intrigued by Gunn’s approach, especially since this film effectively ends the DCEU and launches a newly defined DCU.
Predator: Killer of Killers
Predator: Killer of Killers isn’t a knockout, but it is a welcome risk. It continues the rejuvenation of the franchise that Prey began and suggests that Predator: Badlands could be the most expansive, adventurous installment yet. For fans of the series or genre animation in general, it’s worth the watch. It’s smart, visually distinctive, and interested in more than just the hunt.
Everything Everywhere All at Once
To put into words how exhilarating Everything Everywhere All at Once is isn’t easy to do. A film unlike any other, it pushes every filmmaking possibility to the brink in 2022. Many films come and go with the wind, but Everything Everywhere All at Once will be in our culture for years – even decades. The phrase “modern classic” doesn’t apply to films very frequently, but this is one of those instances where it feels justified.
The Creator
Gareth Edwards’ latest movie, The Creator, blasts onto the screen with the force of a nuclear warhead, throwing audiences into a sprawling sci-fi epic that’s equal parts awe-inspiring and occasionally frustratingly shallow. Like a perfectly sculpted sandcastle frailly built on a windy beach, The Creator boasts breathtaking visuals and an ambitious scope, only to slightly crumble under the weight of its own narrative shortcomings.