Here are Cinephile Corner’s 10 recommendations for movies like Trap:
Strange Darling
Strange Darling wears its influences on its sleeve. Director JT Mollner isn’t ashamed to let his inspirations be known as his latest thriller delivers twists and turns around every corner, and is told in a nonlinear fashion that makes it really hard not to think of a few classics. The likes of James Wan and Quentin Tarantino come to mind for these reasons, but Mollner’s Strange Darling doesn’t feel nearly as fresh as Saw or Pulp Fiction felt decades ago.
Read our review of Strange Darling
Panic Room
While Panic Room may seem like less ambitious in scale compared to some of Fincher’s other works, the movie stands as a testament to his versatility as a filmmaker. From the moment the Altman mother-daughter duo are thrust into the claustrophobic depths of their panic room, the film becomes a relentless, punishing exercise in suspense and dread.
Missing
Newcomers Nicholas D. Johnson and Will Merrick develop a computerized slow burner with Missing – one that will rope you in with twists left and right and a deeply impactful third act. Solid performances across the board make Missing one of the better releases early in 2023.
Knock at the Cabin
The concept behind Knock at the Cabin is fairly simple, as many of M. Night Shyamalan’s movies are. A couple and their daughter are at a remote cabin when a set of strangers sets upon their location. It’s made known to them that they must choose a sacrifice from their own family to prevent the apocalypse. Despite the well-mannered and caring demeanors of the intruders, they insist that this sacrifice must be made in order to save the world.
Read our review of Knock at the Cabin
Longlegs
Longlegs makes good on the promise of being a freaky horror tale that injects dread in every frame and through every nook and cranny possible. Director Oz Perkins, if for nothing else, continues to prove himself as a singular horror director, with a style that no soul could replicate and a thirst for the absurd, demented, and disturbed. Maika Monroe and Blair Underwood offer enough to have you engaged, and Perkins is talented enough behind the camera to keep things rolling.
Scream 5
Scream 5 resurrects a franchise gone for far too long. Although not a perfect transition into the modern age, the newest Scream movie offers plenty of fun and camp that gels with the common core of this franchise’s ideas.
Scream 6
Despite a nearly complete turnover of legacy characters, the Scream franchise keeps on rolling – and it may be as good as any since the original hit theaters in 1996. Scream 6 gets bolder and better, and the movie builds on the best aspects of Radio Silence’s last installment of the franchise.
MaXXXine
MaXXXine has a handful of worthwhile moments, but the movie ultimately ricochets between two different sides of Ti West’s mind: the throwback B-movie auteur with a great taste for kills and the heady screenwriter with something to say about the industry he works in. It’s unfortunate that MaXXXine doesn’t strike that balance often, and it’s easy to tell when he’s switching from one gear to the next. Mia Goth reprises her scream queen role as the titular film star.
Woman of the Hour
Anna Kendrick’s directorial debut Woman of the Hour is a taut genre piece with a few thrilling plot threads that pull you along. It’s one of the better releases in 2024 under the Netflix brand. And although I prefer my serial killer movies to have a lot less style and window dressing than this, the 1970s aesthetic doesn’t entirely suffocate the story that the movie is trying to tell. Kendrick stars with a worthy leading performance, while Daniel Zovatto is eerily effective as the big bad opposite her.
Read our review of Woman of the Hour
Last Night in Soho
Few directors are as defined by their style as Edgar Wright, and Last Night in Soho is a movie that thrives when it fully embraces that signature flair. From its bold lighting choices and meticulously curated soundtrack to the seamless fusion of past and present, this film is an exercise in aesthetic precision. Starring Thomasin McKenzie and Anya Taylor-Joy, it’s a visually dazzling, nostalgia-drenched psychological thriller that starts strong but ultimately falters in its final act.