Here are Cinephile Corner’s 10 recommendations for movies like Thrash:
Dangerous Animals
Dangerous Animals is an effective piece of genre filmmaking that doesn’t overreach and knows exactly what it wants to be. It’s scary, sharply made, and full of small, clever choices that elevate it above its straightforward premise. It’s the kind of late-night horror flick that benefits from a pitch-black room and a strong stomach, and one that knows how to get under your skin without overstaying its welcome.
Meg 2: The Trench
With a floundering script and painstakingly uninventive cast, Ben Wheatley falls victim to this behemoth shark franchise. Meg 2: The Trench capitalizes on very few aspects that made the first movie an occasionally enjoyable romp.
Wolf Man
Wolf Man is another uneven entry in Universal Pictures’ long-running struggle to make their classic monster IP feel vital again. Leigh Whannell may be one of the more exciting genre filmmakers working today, but this misaligned project is more whimper than howl.
Night Swim
With a PG-13 rating, and a concept so thinly developed beyond “scary swimming pool,” Night Swim relies heavily on cheap scares and creepy underwater sight gags – where few of which actually earn their keep. Wyatt Russell and Kerry Condon star in a sometimes silly, often underdeveloped horror movie.
The Gorge
The Gorge, Scott Derrickson’s latest film for Apple TV+, is a frustratingly uneven blend of action, sci-fi, and romance that starts with promise but ultimately succumbs to convention. Miles Teller and Anya Taylor-Joy do their best to elevate the material, and their on-screen chemistry carries the movie’s far more compelling first half, but by the time the action-heavy second half kicks in, The Gorge loses much of what made it intriguing to begin with.
The Host
Bong Joon-ho’s The Host is a genre-bending monster movie that blends sci-fi horror, political satire, and family drama into one of the most distinctive creature features of the 21st century. Deeply influenced by the Godzilla franchise, Bong crafts a cautionary tale about environmental recklessness and government incompetence, opening with an American scientist dumping bottles of formaldehyde into Seoul’s Han River. Years later, this reckless act results in the emergence of a massive, mutated amphibian that terrorizes the city.
Sting
Sting has its moments, but the genre has offered much better this year, and a premise like “growing killer spider gets loose” doesn’t do enough to tie the movie together and keep you engaged. It is worth the price of admission once, but it’s not much to write home about after the fact.
Signs
M. Night Shyamalan made many great genre movies to launch his career in the late 1990s and early 2000s, but none are as quirky, silly, and downright wholesome as Signs, which brings a family together under extraordinary circumstances. Mel Gibson and Joaquin Phoenix lead a small cast of great performers reckoning with alien lifeforms reaching Earth.
Twisters
Twisters is a remarkable victory for theaters, summer blockbusters, and movie stars. Daisy Edgar-Jones and Glen Powell are certified mainstays in the industry after their recent successes, and Lee Isaac Chung remains one of the latest risers in a young camp of talented filmmakers.
Evil Dead Rise
There aren’t many horror franchises able to reinvent themselves as often as Evil Dead does while still maintaining relevancy and quality. Maybe it’s because Sam Raimi holds his creation so close to his heart that only a select few are able to take on the premise, or maybe it’s because the premise seems simple and malleable enough to make nearly anything work. It can shoot for the downright zany and ludicrous with Evil Dead II or Army of Darkness, or it can strive to be like Lee Cronin’s newest spin Evil Dead Rise – a movie so sick and twisted that you can’t help but give it its dues by the time the credits roll.
READ MORE: Thrash (2026), Movies Like Dangerous Animals, Movies Like Wolf Man
