Here are Cinephile Corner’s 10 recommendations for action movies like The Running Man:
Hit Man
Despite my love for nearly all things Richard Linklater and Glen Powell, I just couldn’t bring myself to fall for their newest release on Netflix – Hit Man, which tries its hardest to hide its superstar lead behind a thick layer of nerdy, undesirable heft that I saw right through from beginning to end.
The Fall Guy
The Fall Guy is a mixed bag of ideas and execution, but the overall experience of seeing the movie is worth considering because of the sheer star power at play – notably Ryan Gosling and Emily Blunt. The film is humming best as it moves along, thanks to lengthened action sequences where director David Leitch squeezes every ounce of juice from the movie.
The Gray Man
When The Gray Man is working at its best, it has the wiseass-ery of Chris Evans at the center, even if it takes a decent amount of runtime for him to even enter the fold. Otherwise, Ryan Gosling barely ties this comatose Netflix action movie together.
The Beekeeper
While David Ayer‘s The Beekeeper is a lot of fun and has some surprisingly effective and exhilarating action sequences that are decked out with every possible way you could break a bone or die, it’s still too odd and ill-conceived to be taken seriously. And for that reason, it’s a perfect Dumpuary movie. Jason Statham stars a rogue special forces agent.
Last Night in Soho
Few directors are as defined by their style as Edgar Wright, and Last Night in Soho is a movie that thrives when it fully embraces that signature flair. From its bold lighting choices and meticulously curated soundtrack to the seamless fusion of past and present, this film is an exercise in aesthetic precision. Starring Thomasin McKenzie and Anya Taylor-Joy, it’s a visually dazzling, nostalgia-drenched psychological thriller that starts strong but ultimately falters in its final act.
Twisters
Twisters is a remarkable victory for theaters, summer blockbusters, and movie stars. Daisy Edgar-Jones and Glen Powell are certified mainstays in the industry after their recent successes, and Lee Isaac Chung remains one of the latest risers in a young camp of talented filmmakers.
Fight or Flight
Fight or Flight feels like it’s trying to play in the big leagues of modern action but without the distinctive characters, choreography, or creative spark to back it up. It’s neither grounded enough to be gritty nor wild enough to be fun. While Josh Hartnett remains an intriguing actor in the right roles, this isn’t one of them. It’s a forgettable detour in a genre full of better, more fully realized flights.
Furiosa: A Mad Max Saga
George Miller finds so much new ground to cover with Furiosa: A Mad Max Saga that perfectly justifies its own existence. While Fury Road was interested in such a contained story propelled by larger-than-life action sequences and big rig warfare spawning from a game of cat and mouse, Furiosa fills in the gaps of a world much larger than what is expected. Anya Taylor-Joy and Chris Hemsworth stun in a prequel well worth the wait.
Ghosted
On paper, the talent for Ghosted should be enough to carry a weak script. But the technical and creative elements are too far gone to salvage any form of a watchable movie. Ana de Armas, Chris Evans, and a host of cameos fall victim to a remarkably unremarkable film.
Wolfs
The appeal of Jon Watts’ Wolfs is obvious. The film serves as the long-awaited reunion between George Clooney and Brad Pitt. The two mega movie stars have shared the screen for a handful of projects over the years, most notably the Ocean’s franchise and Burn After Reading.
READ MORE: The Running Man (2025)
