Here are Cinephile Corner’s 10 recommendations for movies like The Royal Tenenbaums:
Nebraska
In classic Alexander Payne fashion, the setup for Nebraska is equal parts funny, sad, and deeply personal. And the payoff is well worth the wait due to remarkably nuanced and layered performances from Bruce Dern and Will Forte as a complicated father-son duo.
The Fabelmans
The Fabelmans, Steven Spielberg’s latest movie, effectively mines through his childhood to examine his love for film. A complex set of ideas mixed in a way only the master filmmaker could pull together.
The Daytrippers
Even if The Daytrippers struggles to evolve due to sluggish pacing and typical genre tropes, it’s still worth your time to see early Greg Mottola work his magic. Excellent direction, and a starry cast, manages to keep the movie afloat.
About Schmidt
About Schmidt is a good film, one that sits comfortably in Alexander Payne’s filmography but doesn’t quite reach the heights of his later classics. For fans of Payne’s more nuanced works, it’s an important piece, but it doesn’t carry the same emotional punch or cultural impact as his more well-known projects.
Fantastic Mr. Fox
Fantastic Mr. Fox is more than just one of the best Wes Anderson movies or one of the best animated movies—it’s one of the best movies, period. A singular work of creativity and charm that continues to inspire, entertain, and resonate.
Everything Everywhere All at Once
To put into words how exhilarating Everything Everywhere All at Once is isn’t easy to do. A film unlike any other, it pushes every filmmaking possibility to the brink in 2022. Many films come and go with the wind, but Everything Everywhere All at Once will be in our culture for years – even decades. The phrase “modern classic” doesn’t apply to films very frequently, but this is one of those instances where it feels justified.
The Elephant Man
The Elephant Man is both the most accessible, straightforward drama that David Lynch has ever made, and his biggest outlier (with close competition from The Straight Story). I suppose those two go hand-in-hand considering the director’s noteworthy style and disregard for formula and narrative. But The Elephant Man still has all of the sheer technical ability and hallmarks of a Lynchian story, even if squeezed into a movie a bit more palatable to a general audience.
Rushmore
Even if decades have passed since Rushmore first hit movie theaters, Wes Anderson’s sophomore film still has characters and tonal inflections that he hasn’t quite matched since. Jason Schwartzman proves he’s a perfect match for Wes’ desired movie-making style.
We Live in Time
A movie like We Live in Time really shouldn’t work. The overly sentimental cancer drama is a well-trodden path, with its fair share of genuinely touching entries but even more bogged down by predictability and melodrama. We Live in Time doesn’t completely avoid these familiar pitfalls, as it leans into some of the same cheesy tropes that often plague this subgenre.
The Iron Claw
The Iron Claw is a powerful reminder of the human spirit being both enduring and fragile. It’s a movie that redefines what a sports movie can be, leaving viewers emotionally spent and profoundly moved. This is, without a doubt, one of 2023’s greatest achievements in filmmaking, a confirmed *masterpiece* that will linger in your mind and heart long after the final bell rings.