Here are Cinephile Corner’s 10 recommendations for action movies like The Beekeeper:
John Wick: Chapter 4
In terms of contemporary action movies, John Wick: Chapter 4 (and the entire John Wick franchise, honestly) has separated itself from the pack. Each detail, idea, and set piece is perfectly crafted to build out a world that feels so fully realized. Somehow, Keanu Reeves and director Chad Stahelski continue to find new ways to keep the franchise fresh.
The Amateur
The Amateur plays like a collage of better films. It’s not egregiously bad—just forgettable, over-familiar, and often flat. Despite flashes of life from its supporting cast and a premise that could’ve breathed new life into the spy genre, this is a film that fizzles rather than detonates. If you’re looking for the next Mission: Impossible or Bourne, this isn’t it. It’s not even a great slow-burn alternative. It’s just… there.
A Working Man
Jason Statham continues his relentless streak of mid-tier action vehicles with A Working Man, a film that feels as workmanlike as its title suggests. Following his roles in Meg 2: The Trench and The Beekeeper, Statham trades giant sea monsters and bee-themed vengeance for a more grounded but also more generic revenge setup. He plays Levon Cade, an ex-Royal Marine Commando turned construction foreman in Chicago, in a film that’s essentially a stripped-down Taken clone without much flavor or personality to distinguish itself.
Ballerina
Considering the rocky production history behind it, Ballerina emerges as a competent entry in the John Wick universe—though one that never quite matches the highs of the mainline films. At its center, Ana de Armas delivers a strong performance as Eve, bringing physicality and grit to a role that demands both, while the action—particularly in the second half—benefits greatly from the influence of Chad Stahelski, who stepped in alongside Keanu Reeves to help reshape much of the film after original director Len Wiseman’s version assumingly faltered.
Rebel Ridge
Jeremy Saulnier is continuing to show that there aren’t many filmmakers capable of making movies like he is. Rebel Ridge occasionally establishes him as an auteur capable of extreme visceral sequences and building up tension that will make you squirm in your seat, but I’m not as sold on his attempt to tie these themes to this story. A good movie made by a director capable of making great movies.
Carry-On
Jaume Collet-Serra wouldn’t seem like the next director to add to that list, given his recent track record with disappointing Dwayne Johnson vehicles like Jungle Cruise and Black Adam. However, his holiday thriller Carry-On defies expectations, moving quickly and building enough tension to make it a surprisingly worthwhile entry in the Netflix action canon.
Sisu
Sisu mostly capitalizes on the carnage that it promises – that Nazis won’t make it out of this thing. But outside of a few killer sequences, Sisu can’t quite match the stellar run of competing genre movies, resulting in one with clear influences.
Fight or Flight
Fight or Flight feels like it’s trying to play in the big leagues of modern action but without the distinctive characters, choreography, or creative spark to back it up. It’s neither grounded enough to be gritty nor wild enough to be fun. While Josh Hartnett remains an intriguing actor in the right roles, this isn’t one of them. It’s a forgettable detour in a genre full of better, more fully realized flights.
Lift
Lift is another example of the Netflix’s inability to create lasting movies. Once the credits hit, Lift leaves your conscious. There are a few action sequences, and lively performances, that help it move towards a soft landing.
Back in Action
Back in Action is another addition to the increasingly crowded realm of streaming-exclusive action-comedies, but unfortunately, it does little to distinguish itself from its predecessors like Ghosted, Lift, The Gray Man, and Wolfs. Falling squarely into the Netflix tradition of star-studded, formulaic blockbusters, this film feels more like an obligation to content quotas than a labor of creative passion. Despite the charm of its leads, Cameron Diaz and Jamie Foxx, the movie struggles under the weight of a generic plot, uninspired action sequences, and a script that rarely rises above mediocrity.
READ MORE: The Beekeeper (2024)
