Here are Cinephile Corner’s 10 recommendations for movies like The Abyss:
Arrival
Arrival is a beautifully presented, excellently edited piece of work that stands as a testament to Denis Villeneuve’s directorial ability and taste. Amy Adams and Jeremy Renner costar in one of the 2010s best science fiction movies.
Star Trek II: The Wrath of Khan
Safe to say, I enjoyed The Wrath of Khan. It’s more my speed as an enjoyable, wildly adventurous science fiction film than the first, but hard to judge just one to one. They’re vastly different, and Director Nicholas Meyer is more interested in expanding the universe this time around than Robert Wise was in The Motion Picture. For a movie made in 1982, there’s a lot of technical and visual brilliance instilled into The Wrath of Khan that helps push the industry towards a new era of striking moviemaking where practical effects meets computer generated effects.
Blade Runner 2049
Blade Runner 2049 tries to operate in two separate modes, as a humane and personal drama, and a science fiction epic. While these two styles work in their own separate veins, they cross to make a visually stunning, emotionally hollow movie. Denis Villeneuve directs himself into a corner with this one.
Avatar: The Way of Water
The Way of Water absolutely comes through and pulls off a better experience than the first Avatar film could ever dream of. It’s emotionally riveting and absolutely deserves to be seen on a big screen. The best films make you laugh, gasp, and cry. The Way of Water pulls off all three. Simply put, don’t bet against James Cameron.
Signs
M. Night Shyamalan made many great genre movies to launch his career in the late 1990s and early 2000s, but none are as quirky, silly, and downright wholesome as Signs, which brings a family together under extraordinary circumstances. Mel Gibson and Joaquin Phoenix lead a small cast of great performers reckoning with alien lifeforms reaching Earth.
The Gorge
The Gorge, Scott Derrickson’s latest film for Apple TV+, is a frustratingly uneven blend of action, sci-fi, and romance that starts with promise but ultimately succumbs to convention. Miles Teller and Anya Taylor-Joy do their best to elevate the material, and their on-screen chemistry carries the movie’s far more compelling first half, but by the time the action-heavy second half kicks in, The Gorge loses much of what made it intriguing to begin with.
The Creator
Gareth Edwards’ latest movie, The Creator, blasts onto the screen with the force of a nuclear warhead, throwing audiences into a sprawling sci-fi epic that’s equal parts awe-inspiring and occasionally frustratingly shallow. Like a perfectly sculpted sandcastle frailly built on a windy beach, The Creator boasts breathtaking visuals and an ambitious scope, only to slightly crumble under the weight of its own narrative shortcomings.
Avatar: Fire and Ash
I had fun, and the filmmaking is rarely less than impressive, but Avatar: Fire and Ash is named for a new corner of Pandora that it only partially explores. If these films are going to keep coming, I want Cameron to keep pushing into unfamiliar terrain instead of returning to the same interpersonal circuits. Otherwise, what is the point of having a world this big?
Mission: Impossible – The Final Reckoning
Mission: Impossible – The Final Reckoning may be Tom Cruise’s last run as Ethan Hunt, and while it’s far from perfect, it’s also everything that makes this franchise so enduring. Yes, the criticisms are fair: it’s unevenly paced, leans heavily on callbacks, and opens with more exposition and flashbacks than momentum. But once it locks into gear, this is another exhilarating entry in a series that has consistently redefined blockbuster action for nearly 30 years. For all its flaws, The Final Reckoning still delivers the kind of spectacle only Mission: Impossible can.
Read our full review of Mission: Impossible – The Final Reckoning
Meg 2: The Trench
With a floundering script and painstakingly uninventive cast, Ben Wheatley falls victim to this behemoth shark franchise. Meg 2: The Trench capitalizes on very few aspects that made the first movie an occasionally enjoyable romp.
READ MORE: The Abyss (1989)
