Here are Cinephile Corner’s 10 recommendations for movies like Snowpiercer:
Blade Runner 2049
Blade Runner 2049 tries to operate in two separate modes, as a humane and personal drama, and a science fiction epic. While these two styles work in their own separate veins, they cross to make a visually stunning, emotionally hollow movie. Denis Villeneuve directs himself into a corner with this one.
Read our full review of Blade Runner 2049
Fight Club
Released over two decades ago, David Fincher’s Fight Club remains in popular culture the way few films ever do. A movie that often resonates with those feeling marginalized by society, Fight Club lives on for each generation to interpret in new ways.
Read our full review of Fight Club
Dune: Part One
Denis Villeneuve’s Dune is an ambitious and visually stunning sci-fi epic that successfully brings Frank Herbert’s classic novel to the big screen. With a star-studded cast led by Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, and Zendaya, this film is a must-see for fans of the genre and those looking for a thrilling cinematic experience.
Read our full review of Dune: Part One
Furiosa: A Mad Max Saga
George Miller finds so much new ground to cover with Furiosa: A Mad Max Saga that perfectly justifies its own existence. While Fury Road was interested in such a contained story propelled by larger-than-life action sequences and big rig warfare spawning from a game of cat and mouse, Furiosa fills in the gaps of a world much larger than what is expected. Anya Taylor-Joy and Chris Hemsworth stun in a prequel well worth the wait.
Read our full review of Furiosa: A Mad Max Saga
Mickey 17
Following up Parasite was never going to be easy for Bong Joon-ho. The 2019 film was a global phenomenon, breaking language barriers at the Academy Awards and cementing Bong as one of the most exciting directors of his generation. With Mickey 17, his first film since that historic win, he dives headfirst into sci-fi, adapting Edward Ashton’s 2022 novel Mickey7 with an all-star cast that includes Robert Pattinson, Naomi Ackie, Steven Yeun, Mark Ruffalo, and Toni Collette.
Read our full review of Mickey 17
The Creator
Gareth Edwards’ latest movie, The Creator, blasts onto the screen with the force of a nuclear warhead, throwing audiences into a sprawling sci-fi epic that’s equal parts awe-inspiring and occasionally frustratingly shallow. Like a perfectly sculpted sandcastle frailly built on a windy beach, The Creator boasts breathtaking visuals and an ambitious scope, only to slightly crumble under the weight of its own narrative shortcomings.
Read our full review of The Creator
Civil War
I’m fascinated to see how Civil War will change in my estimation on a rewatch. The movie is significantly less tied to its premise and more tied to its character than I expected. Alex Garland is so, so remarkably close to making a thoughtful statement on the tenuous state of affairs in our country. But he pulls back when he should be going all in. It slips through his fingers when it comes to the biggest details.
Read our full review of Civil War
The Host
Bong Joon-ho’s The Host is a genre-bending monster movie that blends sci-fi horror, political satire, and family drama into one of the most distinctive creature features of the 21st century. Deeply influenced by the Godzilla franchise, Bong crafts a cautionary tale about environmental recklessness and government incompetence, opening with an American scientist dumping bottles of formaldehyde into Seoul’s Han River. Years later, this reckless act results in the emergence of a massive, mutated amphibian that terrorizes the city.
Read our full review of The Host
Ghosted
On paper, the talent for Ghosted should be enough to carry a weak script. But the technical and creative elements are too far gone to salvage any form of a watchable movie. Ana de Armas, Chris Evans, and a host of cameos fall victim to a remarkably unremarkable film.
Read our full review of Ghosted
G20
G20 is not just a misfire, it’s a symptom of a larger streaming trend: high-concept projects stretched thin by weak scripts, formulaic direction, and over-reliance on big names to carry the weight. Viola Davis has led action movies far superior to G20.