Here are Cinephile Corner’s 10 recommendations for movies like Sinners:
Nope
Nope delivers on its promise of spectacle. Its set-up helps deliver one of the most rewarding third acts of the year, and one I’ll surely return to in years to come. Those don’t come around very often, only a handful of films lend themselves to repeat viewings, and Nope is certainly one of them. A dazzling and hypnotic viewing, and one that doesn’t leave your mind once you leave your theater. The best films make you think, and Jordan Peele‘s Nope gives you plenty to sink your teeth into.
Panic Room
While Panic Room may seem like less ambitious in scale compared to some of Fincher’s other works, the movie stands as a testament to his versatility as a filmmaker. From the moment the Altman mother-daughter duo are thrust into the claustrophobic depths of their panic room, the film becomes a relentless, punishing exercise in suspense and dread.
Oppenheimer
Oppenheimer is undoubtedly one of the best movies directed by Christopher Nolan, who puts any doubt to rest that he wouldn’t be capable of capturing a story of this magnitude. Cillian Murphy gives an iconic performance that intensifies each moment rolling along this breakneck biopic of J. Robert Oppenheimer.
Signs
M. Night Shyamalan made many great genre movies to launch his career in the late 1990s and early 2000s, but none are as quirky, silly, and downright wholesome as Signs, which brings a family together under extraordinary circumstances. Mel Gibson and Joaquin Phoenix lead a small cast of great performers reckoning with alien lifeforms reaching Earth.
Us
Jordan Peele’s Us was somewhat divisive when it hit theaters in 2019, but it has only grown in my estimation since. Not only did it prove that Get Out was no fluke, but it cemented Peele as a filmmaker with a knack for taking familiar horror tropes and twisting them into something fresh and conceptually bold. It’s a film that balances genre thrills with introspection, making for an experience that is as thought-provoking as it is unsettling.
Cobweb
Cobweb might be accused of adhering to some familiar horror tropes, but its commitment to its genre roots is what makes it stand out. The movie surpasses expectations with its tight narrative, commendable performances, and a commitment to delivering unadulterated horror.
Sting
Sting has its moments, but the genre has offered much better this year, and a premise like “growing killer spider gets loose” doesn’t do enough to tie the movie together and keep you engaged. It is worth the price of admission once, but it’s not much to write home about after the fact.
Leave the World Behind
Sam Esmail, renowned for his work on Mr. Robot, returns to feature filmmaking with Leave the World Behind, a star-studded drama delivered straight to Netflix that operates as an apocalyptic mystery thriller. Boasting a cast of A-listers like Julia Roberts, Ethan Hawke, Mahershala Ali, and the promising up-and-comer Myha’la, the film carries the weight of its cast’s reputation but, unfortunately, doesn’t quite live up to expectations.
Arrival
Arrival is a beautifully presented, excellently edited piece of work that stands as a testament to Denis Villeneuve’s directorial ability and taste. Amy Adams and Jeremy Renner costar in one of the 2010s best science fiction movies.
Smile
While Smile delivers on a couple creative and freaky scares, it ultimately falls apart with a prototypical first hour and a generally confusing second one. Sosie Bacon stars as a traumatized doctor looking for answers to her visions.