Here are Cinephile Corner’s 10 recommendations for animated movies like Shrek:
The Super Mario Bros Movie
The Super Mario Bros Movie offers an overflowing amount of family entertainment, but at what cost? It sacrifices story to incorporate as much “Mario” as possible – for better or for worse.
Read our full review of The Super Mario Bros Movie
Puss in Boots: The Last Wish
The glorious animation in the newest Shrek installment Puss in Boots: The Last Wish is enough to drive you to the theater by itself. Led by a star-studded cast and a script with enough heart, The Last Wish is one of the better animated movies of 2022.
Read our full review of Puss in Boots: The Last Wish
Nimona
Nimona tries to strike at the same imaginative core that worked so well for a few of Netflix’s animated releases from a year ago, namely The Sea Beast and Guillermo del Toro’s Pinocchio, but instead comes out overbaked – trying to have its way in so many directions that it just ultimately feels lost within so many ideas.
Read our full review of Nimona
The Wild Robot
The overall package of The Wild Robot is ultimately quite honorable and noteworthy. The animated genre offers just a few great movies a year, and The Wild Robot falls into that category. It’s probably the frontrunner for Best Animated Picture at the Academy Awards, and I’d add that we’ve had much worse winners should this take home the prize. It’s sweet and effortlessly likeable, even if you can see the mechanisms of it working behind the scenes.
Read our full review of The Wild Robot
Guillermo del Toro’s Pinocchio
Guillermo del Toro and Mark Gustafson’s Pinocchio is a beautiful and marvelous return for the ancient story after the dark places it went to in 2022. The stop-motion is clean and stoic, and the story breaths new life into the wooden child. Guillermo del Toro rarely misses, and this is another example of his gothic stories hitting just the right notes.
Read our full review of Guillermo del Toro’s Pinocchio
Elemental
Elemental acts as a surprising return to the roots of Pixar. It’s a movie with a host of relevant themes and messages rolled into a sincere and effective love story. It’s been a a minute since Pixar landed an original story with such a clear balance of narrative and comedy.
Read our full review of Elemental
Flow
Flow attempts to push the boundaries of visual storytelling in the animated genre, and in many ways, it succeeds. Created entirely using Blender rendering software, typically reserved for 3D video game sprites, the film builds a nearly 90-minute animated feature filled with an abundance of visual ideas and thematic density. It’s a technical marvel that redefines the potential of its medium through its innovative use of technology.
Orion and the Dark
There’s enough to like in Orion and the Dark to recommend it as a worthwhile family movie. Charlie Kaufman is able to mold his signature style just enough to fit within the constraints of a movie targeted for children. Jacob Tremblay and Paul Walter Hauser headline the voice cast in this DreamWorks animated movie for Netflix.
Read our full review of Orion and the Dark
Strange World
It’s not that Strange World is bad, it just should’ve been much better. The movie has a third act with its positives (I particularly liked the main twist that I’ll avoid spoiling in this review, but it gave me some nice food-for-thought), but not enough to redeem a story that takes too long to set up without much fun or promise. Jake Gyllenhaal and Dennis Quaid lead a mixed voice cast.
Read our full review of Strange World
Despicable Me 4
Despicable Me 4 carries the same wistful, harmless energy that the other two sequels had, even if that means that they all live inside the shadow of the original 2010 hit. Because despite the limitations brought forward by the original, there were enough new characters and ideas to make worthwhile a movie.
