Here are Cinephile Corner’s 10 recommendations for movies like Predator:
Avatar: The Way of Water
The Way of Water absolutely comes through and pulls off a better experience than the first Avatar film could ever dream of. It’s emotionally riveting and absolutely deserves to be seen on a big screen. The best films make you laugh, gasp, and cry. The Way of Water pulls off all three. Simply put, don’t bet against James Cameron.
Scanners
Scanners is far from David Cronenberg’s best, but it’s still an essential artifact for fans of his work—especially for those interested in tracing how his style evolved from straight horror (Rabid, The Brood) into more philosophical and speculative realms. It’s an influential film, no doubt. Just not the one you’ll revisit the most.
A Quiet Place: Day One
Michael Sarnoski sits in the director’s chair for A Quiet Place: Day One and delivers a movie that often feels like an A Quiet Place movie and a Michael Sarnoski film – just not at the same time. The softer moments between Lupita Nyong’o and Joseph Quinn are great, but often feel out of place in this larger world.
Sinners
Ryan Coogler has made something rare with Sinners: a horror film with bite, brains, and soul. It’s a film that’s as entertaining as it is thoughtful, never content to just scare its audience without giving them something to chew on. Michael B. Jordan gives a career-high performance as twin gangsters returning to their former lives in the South.
28 Years Later
Few film franchises feel as reflective of their eras as the 28 Days Later franchise. The 2002 original remains one of the most influential horror films of the century, with Danny Boyle’s grainy, handheld style perfectly matching its atmosphere of isolation and dread. Its 2007 sequel, 28 Weeks Later, wasn’t directed by Boyle or written by Alex Garland, and while it had moments, it left fans with a sense that more could be done with the premise. Now, both Boyle and Garland return for 28 Years Later (2025), a film that feels both like a homecoming and a cautious step toward something bigger.
M3GAN 2.0
M3GAN 2.0 swings for a full-on tonal reboot, the way The Terminator gave way to the splashier Terminator 2: Judgment Day. Where the first M3GAN flirted with straight-faced tech horror, this sequel leans into gonzo slapstick and meme-ready absurdity. It’s not remotely on T2’s level, but the embrace of outlandish fun suits this IP better than pretending it’s solemn. The result: a breezier, dumber, intermittently very entertaining sequel.
Alien 3
The much maligned Alien 3, directed by David Fincher in his first feature length movie, isn’t the catastrophe many claimed it was when it released in 1992. Alien 3 is a movie with many interesting ideas, but a script that holds it back.
John Wick: Chapter 4
In terms of contemporary action movies, John Wick: Chapter 4 (and the entire John Wick franchise, honestly) has separated itself from the pack. Each detail, idea, and set piece is perfectly crafted to build out a world that feels so fully realized. Somehow, Keanu Reeves and director Chad Stahelski continue to find new ways to keep the franchise fresh.
Blade
Wesley Snipes turned Blade into a swaggering icon in 1998, and the best parts of Blade still feel cooler than most modern comic book spectacles. From the blood-rave opener to the warehouse brawls, the choreography snaps, the leather-and-sunglasses styling is laser specific, and Snipes sells every sword swing and snarl. The movie’s R rating gives Stephen Norrington room to lean into splatter and attitude, which is exactly why Blade became a word-of-mouth hit and a box-office success for Marvel in the pre-X-Men, pre-MCU era.
Predator: Killer of Killers
Predator: Killer of Killers isn’t a knockout, but it is a welcome risk. It continues the rejuvenation of the franchise that Prey began and suggests that Predator: Badlands could be the most expansive, adventurous installment yet. For fans of the series or genre animation in general, it’s worth the watch. It’s smart, visually distinctive, and interested in more than just the hunt.
READ MORE: Predator (1987)
