Here are Cinephile Corner’s 10 recommendations for animated movies like Onward:
Strange World
It’s not that Strange World is bad, it just should’ve been much better. The movie has a third act with its positives (I particularly liked the main twist that I’ll avoid spoiling in this review, but it gave me some nice food-for-thought), but not enough to redeem a story that takes too long to set up without much fun or promise. Jake Gyllenhaal and Dennis Quaid lead a mixed voice cast.
Nimona
Nimona tries to strike at the same imaginative core that worked so well for a few of Netflix’s animated releases from a year ago, namely The Sea Beast and Guillermo del Toro’s Pinocchio, but instead comes out overbaked – trying to have its way in so many directions that it just ultimately feels lost within so many ideas.
Toy Story 4
I was certainly in that camp in 2019, always favoring original stories over rehashes of the same material over and over (I’ll probably act the same way when Toy Story 5 nears because I clearly haven’t learned my lesson). Toy Story 4 quickly expels any notion that it shouldn’t exist – the different themes and new characters actually make the franchise as engaging as ever.
Wendell & Wild
Henry Selick’s latest entry into the stop-motion microgenre Wendell & Wild contains every ounce of charisma and wonder that fueled his previous works and terrified children like myself growing up, but watching his newest effort as a more aware and critical viewer, there are just too many structural components that don’t connect into a larger, fully-realized puzzle.
The Wild Robot
The overall package of The Wild Robot is ultimately quite honorable and noteworthy. The animated genre offers just a few great movies a year, and The Wild Robot falls into that category. It’s probably the frontrunner for Best Animated Picture at the Academy Awards, and I’d add that we’ve had much worse winners should this take home the prize. It’s sweet and effortlessly likeable, even if you can see the mechanisms of it working behind the scenes.
Elemental
Elemental acts as a surprising return to the roots of Pixar. It’s a movie with a host of relevant themes and messages rolled into a sincere and effective love story. It’s been a a minute since Pixar landed an original story with such a clear balance of narrative and comedy.
The Super Mario Bros Movie
The Super Mario Bros Movie offers an overflowing amount of family entertainment, but at what cost? It sacrifices story to incorporate as much “Mario” as possible – for better or for worse.
Inside Out 2
I found the overall package of Inside Out 2 enjoyable, with Sadness (Phyllis Smith) and Joy (Amy Poehler) as captivating and cartoonishly real in the sequel as they were in the original. It’s a new entry worthy of the title, despite enough material here to expand on over the course of multiple movies.
Spider-Man: Across the Spider-Verse
Spider-Man: Across the Spider-Verse continues what the first film did so well – feel like something you’ve never seen before. An intense thrill ride that explores carving your own path and not staying constrained to the expectations set before you.
Elio
Conceived by Adrian Molina and then handed off to Domee Shi and Madeline Sharafian, Elio bears the fingerprints of multiple creative voices. You can feel the push and pull in its structure. Elio (voiced with wide-eyed sincerity by Yonas Kibreab) is accidentally identified as the leader of Earth and whisked to the Communiverse, a galactic council where rival species debate, posture, and search for common ground. Back home, a clone holds his place while his guardian, Aunt Olga (Zoe Saldaña), an Air Force major who shelved astronaut dreams to raise her nephew, tries to keep life steady. The movie toggles among coming-of-age comedy, interstellar diplomacy satire, and family melodrama, which gives Elio scope, but also leaves it feeling overstuffed and under-shaped.
