Here are Cinephile Corner’s 10 recommendations for animated movies like Luca:
The Wild Robot
The overall package of The Wild Robot is ultimately quite honorable and noteworthy. The animated genre offers just a few great movies a year, and The Wild Robot falls into that category. It’s probably the frontrunner for Best Animated Picture at the Academy Awards, and I’d add that we’ve had much worse winners should this take home the prize. It’s sweet and effortlessly likeable, even if you can see the mechanisms of it working behind the scenes.
Moana 2
Even as someone who wasn’t enamored with Moana, it’s clear Moana 2 is a significant downgrade. It lacks the heart, charm, and polish of the original, delivering a drab, forgettable experience that feels like it was made on autopilot.
Strange World
It’s not that Strange World is bad, it just should’ve been much better. The movie has a third act with its positives (I particularly liked the main twist that I’ll avoid spoiling in this review, but it gave me some nice food-for-thought), but not enough to redeem a story that takes too long to set up without much fun or promise. Jake Gyllenhaal and Dennis Quaid lead a mixed voice cast.
Elemental
Elemental acts as a surprising return to the roots of Pixar. It’s a movie with a host of relevant themes and messages rolled into a sincere and effective love story. It’s been a a minute since Pixar landed an original story with such a clear balance of narrative and comedy.
Nimona
Nimona tries to strike at the same imaginative core that worked so well for a few of Netflix’s animated releases from a year ago, namely The Sea Beast and Guillermo del Toro’s Pinocchio, but instead comes out overbaked – trying to have its way in so many directions that it just ultimately feels lost within so many ideas.
Turning Red
Despite feeling a bit like Pixar is borrowing heavily from their contemporaries, Turning Red is the first movie from the studio to actually move the needle in a while. It’s a story for generations to enjoy, and I always prefer when Pixar aims to appeal to older audiences in conjunction with the usual kids demographic.
The Boy and the Heron
Hayao Miyazaki creates worlds where grief dances with wonder, where loss paves the way for discovery, and imagination reigns supreme. His latest movie The Boy and the Heron continues those trends to great lengths; it’s a symphony of animation, storytelling, and profound emotions that transports you to a realm of breathtaking beauty and exploration.
Spider-Man: Across the Spider-Verse
Spider-Man: Across the Spider-Verse continues what the first film did so well – feel like something you’ve never seen before. An intense thrill ride that explores carving your own path and not staying constrained to the expectations set before you.
Isle of Dogs
Viewed as a standalone animated feature, Isle of Dogs is a unique, thoughtful piece that few filmmakers besides Wes Anderson could have envisioned, let alone executed. But graded on the curve of Anderson’s own career, it feels minor. It lacks the emotional punch of The Royal Tenenbaums, the elegance of The Grand Budapest Hotel, and even the narrative focus of later entries like Asteroid City or The Phoenician Scheme.
Inside Out
Inside Out is still the best iteration of personifying emotions or concepts through animated films, choosing to live inside of the mind of youngster Riley moving from her Minnesota townhome to the big city of San Francisco. Pete Docter directs arguably his best film under the Pixar brand.