Here are Cinephile Corner’s 10 recommendations for movies like Little Women:
Are You There God? It’s Me, Margaret.
Are You There God? It’s Me, Margaret. doesn’t take long to show you its worth – an easily digestible, refreshing throwback film certainly worth the price of admission. Abby Ryder Fortson and Rachel McAdams star, with the latter hopefully participating in next year’s awards season race.
Read our full review of Are You There God? It’s Me, Margaret.
Falcon Lake
Charlotte Le Bon‘s Falcon Lake feels singular in a way that is so difficult to accomplish in the 2020s. Teenage romance movies are circulated by the dozens in the era of streaming services (Netflix churns out a remarkable number of horrendous attempts at this every year), but they never feel as cared for or honest as this movie does.
C’mon C’mon
With C’mon C’mon, Mike Mills continues his deeply personal exploration of familial relationships, following Beginners (about his father) and 20th Century Women (about his mother). This time, he turns inward, reflecting on his role as a father and the complexities of raising a child in an uncertain world. The result is a delicate, introspective film that is both heartfelt and deeply human, even if it doesn’t always hit the emotional highs of Mills’ previous work.
Barbie
Greta Gerwig and Margot Robbie deliver one of 2023’s most colorful and sincere trips to the movies. Barbie is a movie that transcends style and set design, offering a visual feast with enough laughs along the way.
Moonrise Kingdom
Moonrise Kingdom is a quintessential Wes Anderson film, showcasing his signature style and themes while also standing on its own as a beautifully crafted and deeply affecting work of art. It is a film that, in many ways, encapsulates the singular vision of its director. From its symmetrical compositions to its meticulously curated soundtrack, every element of the film is crafted with an almost obsessive attention to detail. But unlike some of Anderson’s later films, which can feel like hollow exercises in style over substance, Moonrise Kingdom is a film that balances its idiosyncratic aesthetic with genuine heart and emotion.
The Fabelmans
The Fabelmans, Steven Spielberg’s latest movie, effectively mines through his childhood to examine his love for film. A complex set of ideas mixed in a way only the master filmmaker could pull together.
The Favourite
The Favourite sees director Yorgos Lanthimos recontextualizing 18th-century British royalty. A searing dark comedy featuring many of 2018s’s best performances, including Olivia Colman, Emma Stone, and Rachel Weisz.
Earth Mama
Earth Mama is the debut movie from Savanah Leaf and stars Tia Nomore and Erika Alexander. It depicts a pregnant single mother with two children in foster care as she embraces her Bay Area community and fights to reclaim her family.
The Lost Daughter
Few debut movies have the level of care and precision that Maggie Gyllenhaal‘s The Lost Daughter has. An intimate film about fragile bonds between mother and daughter, The Lost Daughter relies on powerful performances from Olivia Colman, Dakota Johnson, and Jessie Buckley – all of whom exceed with flying colors.
A Thousand and One
Sundance 2023’s Grand Jury Prize winner A Thousand and One has a gravitational pull at the center – Teyana Taylor, giving a stunning performance that competes with some of the year’s bests. A riveting drama that puts Director A.V. Rockwell on the map for years to come.
READ MORE: Little Women (2019)
