Here are Cinephile Corner’s 10 recommendations for movies like Lilo & Stitch:
A Minecraft Movie
A Minecraft Movie is a complete misfire—an example of what happens when a studio sees a brand, not a story. It fails both as an adaptation and as entertainment. It’s not funny, not charming, and not visually interesting. It’s just loud, dumb, and disposable. For a game that has inspired millions through endless creativity and player agency, this movie feels like the exact opposite: rigid, forced, and fundamentally joyless.
How to Train Your Dragon
How to Train Your Dragon is the latest in a long line of live-action remakes that feel more like box office insurance policies than artistic endeavors. Directed by Dean DeBlois, who also helmed the original animated trilogy, this version revisits the well-loved 2010 DreamWorks film, but with real actors, heavier visual effects, and—unfortunately—the same core issue plaguing nearly all these remakes: a lack of purpose beyond profit.
Turning Red
Despite feeling a bit like Pixar is borrowing heavily from their contemporaries, Turning Red is the first movie from the studio to actually move the needle in a while. It’s a story for generations to enjoy, and I always prefer when Pixar aims to appeal to older audiences in conjunction with the usual kids demographic.
Sonic the Hedgehog 3
I think I like the idea of a Sonic Cinematic Universe more than any of the actual movies within it. That’s not to say the Sonic the Hedgehog films have been without their charms—Jim Carrey as Dr. Robotnik remains an over-the-top but mostly entertaining presence, and the animated Sonic characters, from Sonic (Ben Schwartz) to Tails (Colleen O’Shaughnessey) and Knuckles (Idris Elba), translate surprisingly well into a live-action world.
Paddington in Peru
Paddington in Peru had an uphill climb from the start. Making a third Paddington movie without director Paul King—who turned the first two into modern family classics—already felt risky, and replacing Sally Hawkins with Emily Mortimer as Mary Brown only heightened that sense of change. King’s films struck a rare balance: sharp British wit, slapstick CGI bear hijinks, and an almost radical kindness that landed at a moment when audiences were desperate for warmth. Without him, it’s no surprise this third outing feels different.
Elemental
Elemental acts as a surprising return to the roots of Pixar. It’s a movie with a host of relevant themes and messages rolled into a sincere and effective love story. It’s been a a minute since Pixar landed an original story with such a clear balance of narrative and comedy.
The Little Mermaid
As far as the collection of Disney live action remakes goes, The Little Mermaid is better than The Lion King, Aladdin, Mulan, and others. But it still has the same problems entrenched in it as the latter movies. There is still little reason for its existence beyond making a few dollars.
Wicked
Monetarily speaking, Wicked is shaping up to be the movie sensation of the fall. Each year, a few family-friendly blockbusters dominate the holiday season box office, drawing in swarms of extended families and raking in massive earnings. In 2024, Wicked is one such standout, serving as a prequel to The Wizard of Oz and kicking off a two-part franchise. The film explores the origins of the Wicked Witch of the West, framed through the eyes of her closest classmate from years prior.
Wonka
In a surprising turn of events, Wonka emerges as one of the standout success stories of 2023, defying initial skepticism surrounding its release. Helmed by director Paul King and starring Timothée Chalamet, this imaginative take on the world of Willy Wonka offers a refreshing and delightful experience that captivates audiences from the opening title sequence to the end.
Wish
Disney’s newest animated movie Wish proves to be a frustrating and occasionally grating cinematic experience. The sporadic moments of enjoyment, courtesy of lively voice acting and catchy tunes, are overshadowed by the movie’s misguided conceptual foundation and lack of narrative cohesion. Ariana DeBose and Chris Pine shine in an otherwise unworthy film.