Here are Cinephile Corner’s 10 recommendations for movies like Jurassic World Rebirth:
Avatar: The Way of Water
The Way of Water absolutely comes through and pulls off a better experience than the first Avatar film could ever dream of. It’s emotionally riveting and absolutely deserves to be seen on a big screen. The best films make you laugh, gasp, and cry. The Way of Water pulls off all three. Simply put, don’t bet against James Cameron.
The Gorge
The Gorge, Scott Derrickson’s latest film for Apple TV+, is a frustratingly uneven blend of action, sci-fi, and romance that starts with promise but ultimately succumbs to convention. Miles Teller and Anya Taylor-Joy do their best to elevate the material, and their on-screen chemistry carries the movie’s far more compelling first half, but by the time the action-heavy second half kicks in, The Gorge loses much of what made it intriguing to begin with.
65
Despite Adam Driver‘s attempt to deliver cinema’s next best science fiction thriller movie, 65 doesn’t successfully convey much that feels new or enticing. Lackluster pacing and storytelling make up a generally bland film stripped of any exciting elements.
Ant-Man and the Wasp: Quantumania
Ant-Man and the Wasp: Quantumania serves as a critical turning point in the Marvel Cinematic Universe. The movie simultaneously introduces Jonathan Majors as Kang the Conqueror and tries to steer the inconsistent MCU back on track. It may not entirely succeed, but Paul Rudd‘s latest movie has a few glimmering pieces.
Meg 2: The Trench
With a floundering script and painstakingly uninventive cast, Ben Wheatley falls victim to this behemoth shark franchise. Meg 2: The Trench capitalizes on very few aspects that made the first movie an occasionally enjoyable romp.
Venom: The Last Dance
It’s unfortunate to say, but Venom: The Last Dance, the concluding chapter of Sony’s Venom trilogy, feels like a misstep. Stripped of much of the charm and irreverence that made its predecessors enjoyable, this installment doubles down on dense exposition and formulaic storytelling, leaving little of the fun that defined the series’ earlier outings.
Aquaman and the Lost Kingdom
I rarely subscribe to the notion that a movie can be “so bad that it’s good,” but there’s a rhythm to Aquaman and the Lost Kingdom that occasionally worked for me. I acknowledge so many of the aspects that cause it to fall short, but in an era of superhero movies (particularly DC superhero movies) that are content with being unadventurous, at least The Lost Kingdom finds some glossy, overly indulgent ways to be weird. It has the usual James Wan touch.
Wolf Man
Wolf Man is another uneven entry in Universal Pictures’ long-running struggle to make their classic monster IP feel vital again. Leigh Whannell may be one of the more exciting genre filmmakers working today, but this misaligned project is more whimper than howl.
The Creator
Gareth Edwards’ latest movie, The Creator, blasts onto the screen with the force of a nuclear warhead, throwing audiences into a sprawling sci-fi epic that’s equal parts awe-inspiring and occasionally frustratingly shallow. Like a perfectly sculpted sandcastle frailly built on a windy beach, The Creator boasts breathtaking visuals and an ambitious scope, only to slightly crumble under the weight of its own narrative shortcomings.
Kingdom of the Planet of the Apes
Kingdom of the Planet of the Apes is an admirable demo tape for director Wes Ball. The movie shows his talent for directing large-scale action sequences and consistent CGI-driven work, but it doesn’t quite have the succinct and emotionally powerful story to match.