Here are Cinephile Corner’s 10 recommendations for animated movies like Inside Out:
Turning Red
Despite feeling a bit like Pixar is borrowing heavily from their contemporaries, Turning Red is the first movie from the studio to actually move the needle in a while. It’s a story for generations to enjoy, and I always prefer when Pixar aims to appeal to older audiences in conjunction with the usual kids demographic.
The Wild Robot
The overall package of The Wild Robot is ultimately quite honorable and noteworthy. The animated genre offers just a few great movies a year, and The Wild Robot falls into that category. It’s probably the frontrunner for Best Animated Picture at the Academy Awards, and I’d add that we’ve had much worse winners should this take home the prize. It’s sweet and effortlessly likeable, even if you can see the mechanisms of it working behind the scenes.
Nimona
Nimona tries to strike at the same imaginative core that worked so well for a few of Netflix’s animated releases from a year ago, namely The Sea Beast and Guillermo del Toro’s Pinocchio, but instead comes out overbaked – trying to have its way in so many directions that it just ultimately feels lost within so many ideas.
Inside Out 2
I found the overall package of Inside Out 2 enjoyable, with Sadness (Phyllis Smith) and Joy (Amy Poehler) as captivating and cartoonishly real in the sequel as they were in the original. It’s a new entry worthy of the title, despite enough material here to expand on over the course of multiple movies.
Dog Man
Dog Man is quick, goofy, and genuinely entertaining—a rare kids movie that doesn’t insult its audience’s intelligence. For viewers expecting a hollow, IP-driven cash grab, this ends up being a pleasant surprise. It’s a mid-tier animated film that punches a little above its weight, and for families looking for something fast, funny, and a little off-kilter, it more than delivers.
Orion and the Dark
There’s enough to like in Orion and the Dark to recommend it as a worthwhile family movie. Charlie Kaufman is able to mold his signature style just enough to fit within the constraints of a movie targeted for children. Jacob Tremblay and Paul Walter Hauser headline the voice cast in this DreamWorks animated movie for Netflix.
WALL-E
Over fifteen years later, I’m not sure Disney Pixar Studios has made a movie nearly as insightful, colorful, and ambitious as WALL-E. As an allegory for corporate greed and environmental neglect, the film operates on such a concise and straightforward manner – Pixar’s strongest thematic statement in their catalogue.
Moana 2
Even as someone who wasn’t enamored with Moana, it’s clear Moana 2 is a significant downgrade. It lacks the heart, charm, and polish of the original, delivering a drab, forgettable experience that feels like it was made on autopilot.
Fantastic Mr. Fox
Fantastic Mr. Fox is more than just one of the best Wes Anderson movies or one of the best animated movies—it’s one of the best movies, period. A singular work of creativity and charm that continues to inspire, entertain, and resonate.
Luca
Whether its shortcomings are the result of its direct-to-streaming release or broader creative decisions, Luca ultimately stands as Pixar’s weakest effort of the 2020s so far. It’s not a misfire, but it is a forgettable entry in a filmography that typically sets the standard for original animated storytelling. For all its good intentions and lighthearted charm, Luca just doesn’t make much of a splash.
