
Here are Cinephile Corner’s 10 recommendations for horror movies like Infirmary:
undertone

A24 knew exactly what they were doing when they marketed undertone. Although it may not end up being the scariest movie you’ll see in 2026, it’s certainly in the running for the scariest you’ll hear. The trailers leaned heavily into the film’s unsettling sound design, and for good reason. That’s the entire hook. A pretty simple premise executed with confidence has become A24‘s bread and butter over the last decade, and while undertone won’t be joining the studio’s horror hall of fame anytime soon, it’s another reminder that modest ambitions carried out well can still make for an effective night at the movies.
Cuckoo
Sometimes, a good ole freak-out film that doesn’t make much sense is exactly what you need. Fortunately, Tilman Singer is responsible for two of them now. 2020’s Luz was an underappreciated shock to the horror system that signaled Singer as an auteur to look out for moving forward, and 2024’s Cuckoo only further cements him as one of the genre’s bravest image makers, even as he’s working out the kinks in his storytelling repertoire.
Oddity
Oddity is a rather succinct and well-paced Shudder movie, making it a surprisingly refreshing picture given the current state of independent horror and Shudder‘s most recent original movies to debut on the platform. Perhaps they saved the best for a loaded October because Oddity kicks it off in strong fashion, using jarring framing and bloodstained gore to effective results.
Longlegs
Longlegs makes good on the promise of being a freaky horror tale that injects dread in every frame and through every nook and cranny possible. Director Oz Perkins, if for nothing else, continues to prove himself as a singular horror director, with a style that no soul could replicate and a thirst for the absurd, demented, and disturbed. Maika Monroe and Blair Underwood offer enough to have you engaged, and Perkins is talented enough behind the camera to keep things rolling.
Cobweb
Cobweb might be accused of adhering to some familiar horror tropes, but its commitment to its genre roots is what makes it stand out. The movie surpasses expectations with its tight narrative, commendable performances, and a commitment to delivering unadulterated horror.
Barbarian
Zach Cregger‘s Barbarian is still refreshing and thrilling, and it’s easily one of my favorite theater experiences of 2022. Films try over and over again to use the schlocky marketing bit of audiences screaming in theaters only to be disappointing in actual terror when places in front of you – but Barbarian is genuinely jaw-dropping.
Insidious: The Red Door
Patrick Wilson is insistent that the Insidious franchise goes out with a bang. At least that’s the feeling you get as you watch The Red Door, the fifth entry into the bloated franchise that’s keeping the leading horror actor buried somewhere deep within the James Wan cinematic universe. This time not only is Wilson playing the front man Josh Lambert, but he’s also directing. His first directorial outing, and one I hoped would feel more impactful for the genre.
The Blackcoat’s Daughter
A sinister, slow-burning delight, The Blackcoat’s Daughter solidifies Oz Perkins as a director capable of true psychological horror—one who, despite some missteps in recent efforts, continues to intrigue me.
Ash
As a filmmaker, Flying Lotus continues to show potential, particularly in his ability to craft unsettling, otherworldly imagery and pair it with haunting sound design. But Ash feels like a proof of concept more than a fully realized vision—a solid step up in production value, but not in storytelling or emotional impact. Eiza González and Aaron Paul star as two stranded astronauts on a distant planet.
Watch the Official Trailer for Infirmary
READ MORE: Movies Like undertone, Movies Like Cuckoo




















