Here are Cinephile Corner’s 10 recommendations for movies like Her:
Past Lives
Celine Song‘s Past Lives is a revelation, despite a growing skepticism that romance movies are dead in the current streaming era. Every bit of emotion and rekindling romance is only strengthened by a nuanced approach to script and perfect casting. A real highlight of 2023.
Punch-Drunk Love
Paul Thomas Anderson’s Punch-Drunk Love is the rare romantic comedy that hums like a live wire. The movie finds Anderson collapsing love and rage into the same nervous system, paring down the sprawl of Magnolia to something smaller, stranger, and sharper. The film’s scale is modest compared with Boogie Nights or There Will Be Blood, but its voltage is unmistakable—an anxious fairytale painted in glowing blues and reds, propelled by Jon Brion’s jittery, percussive score and bursts of abstract color.
We Live in Time
A movie like We Live in Time really shouldn’t work. The overly sentimental cancer drama is a well-trodden path, with its fair share of genuinely touching entries but even more bogged down by predictability and melodrama. We Live in Time doesn’t completely avoid these familiar pitfalls, as it leans into some of the same cheesy tropes that often plague this subgenre.
Stardust Memories
Any filmmaker attempting their own version of Federico Fellini’s 8½ starts at a disadvantage. Fellini’s masterpiece is so personal—rooted in his creative anxieties and self-reflection—that anyone riffing on it has to either radically reinvent the premise or risk producing something that feels like an imitation. Some directors have pulled it off, finding ways to turn creative paralysis into great cinema—Joel and Ethan Coen’s Barton Fink (1991) tackled writer’s block with biting satire, while Wong Kar-Wai famously made Chungking Express during a break from editing Ashes of Time, turning personal restlessness into a defining work.
Licorice Pizza
Licorice Pizza is a love letter to Paul Thomas Anderson’s childhood experience. The movie is overflowing with teenage emotional drama. One of 2021’s best films. Alana Haim and Cooper Hoffman both give extraordinary first leading performances.
Materialists
Materialists feels like a transitional work. It shows Celine Song experimenting with scale, ensemble dynamics, and new narrative textures—but it lacks the intimacy and precision that defined her first film. It’s a movie with moments that flirt with those same highs in small doses, but one that ultimately falls short. Still, it leaves me hopeful: the emotional territory Song wants to chart is rare in contemporary cinema, and while Materialists stumbles, it’s a sign that she’s aiming high. Her best films are likely still ahead.
Friendship
Friendship is one of the more unique comedies of 2025—a weird, squirm-inducing, unexpectedly affecting film that feels true to its title in all the worst (and best) ways. It’s another feather in A24’s cap for championing daring, off-kilter voices in comedy. If you’re in tune with Tim Robinson’s specific wavelength, it’s a must-watch.
Adaptation
Maybe Adaptation rewards multiple viewings, but on this watch, I found it less interesting than I expected. It’s undeniably one of the most metatextual films ever made, but it also feels like Kaufman disappearing into his own self-obsession. He wrote a movie entirely about himself, and I’m still not sure whether to applaud him for it or roll my eyes.
The Curious Case of Benjamin Button
The Curious Case of Benjamin Button introduces us to David Fincher in a seemingly softer, more empathetic guise. The movie is a sincere detour to the filmmaker’s career, one that is interesting to look back on years later. Brad Pitt delivers a performance that transcends technological constraints and unlikely subject matter.
Fingernails
Fingernails, directed by Christos Nikou, stands as another strong addition to Apple TV+’s repertoire, blending elements of romance, drama, and comedy against the backdrop of a futuristic society grappling with the complexities of love. Starring Jessie Buckley, Riz Ahmed, and Jeremy Allen White, the movie explores the fragility of relationships in a world where a single fingernail can determine the strength of a couple’s love.
