
Here are Cinephile Corner’s 10 recommendations for action movies like Cleaner:
Carry-On
Jaume Collet-Serra wouldn’t seem like the next director to add to that list, given his recent track record with disappointing Dwayne Johnson vehicles like Jungle Cruise and Black Adam. However, his holiday thriller Carry-On defies expectations, moving quickly and building enough tension to make it a surprisingly worthwhile entry in the Netflix action canon.
Read our full review of Carry-On
Fight or Flight
Fight or Flight feels like it’s trying to play in the big leagues of modern action but without the distinctive characters, choreography, or creative spark to back it up. It’s neither grounded enough to be gritty nor wild enough to be fun. While Josh Hartnett remains an intriguing actor in the right roles, this isn’t one of them. It’s a forgettable detour in a genre full of better, more fully realized flights.
Read our full review of Fight or Flight
G20
G20 is not just a misfire, it’s a symptom of a larger streaming trend: high-concept projects stretched thin by weak scripts, formulaic direction, and over-reliance on big names to carry the weight. Viola Davis has led action movies far superior to G20.
The Amateur
The Amateur plays like a collage of better films. It’s not egregiously bad—just forgettable, over-familiar, and often flat. Despite flashes of life from its supporting cast and a premise that could’ve breathed new life into the spy genre, this is a film that fizzles rather than detonates. If you’re looking for the next Mission: Impossible or Bourne, this isn’t it. It’s not even a great slow-burn alternative. It’s just… there.
Read our full review of The Amateur
Love Hurts
Love Hurts tries to blend genre tropes and high-octane action into something fresh, but instead delivers a movie that feels like it’s going through the motions. There are flashes of potential, but the film never rises above its derivative bones. Ke Huy Quan proves he can lead an action film in this vein, but the film ultimately doesn’t deserve his talents.
Read our full review of Love Hurts
Heads of State
There’s no shortage of international action movies each year, and Heads of State barely meets the bar to even be called one. It’s the kind of movie you might click on out of curiosity, watch for 20 minutes, and then forget existed by the next morning. For a film trying to make world leaders into action stars, it can’t even lead itself.
Read our full review of Heads of State
Novocaine
Novocaine works best as an entertaining genre exercise. It’s competently made, sometimes clever, and visually sharp. But it never quite reaches the heights it’s aiming for. It doesn’t reimagine the action-comedy or elevate its characters beyond the surface. Still, it’s a watchable 90 minutes, and for fans of Jack Quaid or high-concept thrillers with a soft edge, it’s worth a casual look.
Read our full review of Novocaine
The Instigators
The Instigators features an occasionally entertaining set piece and an ensemble cast of industry mainstays (headlined by Matt Damon and Casey Affleck), but this Apple TV+ streamer has all the common tropes and vibes of streaming content, best enjoyed passively and without thinking critically.
Read our full review of The Instigators
Sisu
Sisu mostly capitalizes on the carnage that it promises – that Nazis won’t make it out of this thing. But outside of a few killer sequences, Sisu can’t quite match the stellar run of competing genre movies, resulting in one with clear influences.
The Creator
Gareth Edwards’ latest movie, The Creator, blasts onto the screen with the force of a nuclear warhead, throwing audiences into a sprawling sci-fi epic that’s equal parts awe-inspiring and occasionally frustratingly shallow. Like a perfectly sculpted sandcastle frailly built on a windy beach, The Creator boasts breathtaking visuals and an ambitious scope, only to slightly crumble under the weight of its own narrative shortcomings.





















