Here are Cinephile Corner’s 10 recommendations for movies like Caught Stealing:
Sisu
Sisu mostly capitalizes on the carnage that it promises – that Nazis won’t make it out of this thing. But outside of a few killer sequences, Sisu can’t quite match the stellar run of competing genre movies, resulting in one with clear influences.
The Gray Man
When The Gray Man is working at its best, it has the wiseass-ery of Chris Evans at the center, even if it takes a decent amount of runtime for him to even enter the fold. Otherwise, Ryan Gosling barely ties this comatose Netflix action movie together.
The Iron Claw
The Iron Claw is a powerful reminder of the human spirit being both enduring and fragile. It’s a movie that redefines what a sports movie can be, leaving viewers emotionally spent and profoundly moved. This is, without a doubt, one of 2023’s greatest achievements in filmmaking, a confirmed *masterpiece* that will linger in your mind and heart long after the final bell rings.
Babylon
Damien Chazelle announces himself as the antichrist with Babylon – a film focused on the fake it til you make it side of the industry, and Chazelle might just be faking it after all. I’ll be tossing and turning in my head for months about whether he deserves the ending that he presents, because he’s having his cake and eating it to with that final montage, but at least along the way he also throws it up and laughs at you for thinking he’d do anything else. I love it.
Fight Club
Released over two decades ago, David Fincher’s Fight Club remains in popular culture the way few films ever do. A movie that often resonates with those feeling marginalized by society, Fight Club lives on for each generation to interpret in new ways.
Creed
Reboots aren’t new in Hollywood, but good reboots are relatively difficult to come by. Not only is the first Creed a worthy reboot of the Rocky franchise – it sets the standard moving forward for sports movies and franchise entertainment.
Blue Velvet
If for nothing else, Blue Velvet serves as a key to unlock the filmography of David Lynch, as if every subsequent movie would take bits and pieces from Blue Velvet and expand them into their own ideas and themes. It’s cryptic, morally ambiguous, and set in the heart of a deep underbelly within small town life. The film is beguiling as hell, and even features many of Lynch’s recurring actors and actresses, led by Kyle MacLachlan and Laura Dern. The movie isn’t as nearly as cut-and-dry as its noir elements suggest and its contemporaries often were, and it seems that public consensus has only further improved since Blue Velvet‘s release in 1986.
Everything Everywhere All at Once
To put into words how exhilarating Everything Everywhere All at Once is isn’t easy to do. A film unlike any other, it pushes every filmmaking possibility to the brink in 2022. Many films come and go with the wind, but Everything Everywhere All at Once will be in our culture for years – even decades. The phrase “modern classic” doesn’t apply to films very frequently, but this is one of those instances where it feels justified.
Panic Room
While Panic Room may seem like less ambitious in scale compared to some of Fincher’s other works, the movie stands as a testament to his versatility as a filmmaker. From the moment the Altman mother-daughter duo are thrust into the claustrophobic depths of their panic room, the film becomes a relentless, punishing exercise in suspense and dread.
Videodrome
Videodrome is a bold, grotesque, and startlingly prescient film, and while it may not be David Cronenberg’s most accessible work, it’s certainly one of his most important. A high-concept fever dream of sex, violence, and screen-induced madness, it’s no wonder this is one of the director’s most widely discussed and celebrated films.
READ MORE: Caught Stealing (2025)