Here are Cinephile Corner’s 10 recommendations for movies like Black Bag:
Holland
Holland feels like a half-baked thriller with a solid premise but a lackluster execution. Mimi Cave’s Fresh had a bold, distinctive style, whereas Holland feels like a retread of better films with similar narratives. Nicole Kidman stars alongside Matthew Macfadyen and Gael García Bernal.
Mickey 17
Following up Parasite was never going to be easy for Bong Joon-ho. The 2019 film was a global phenomenon, breaking language barriers at the Academy Awards and cementing Bong as one of the most exciting directors of his generation. With Mickey 17, his first film since that historic win, he dives headfirst into sci-fi, adapting Edward Ashton’s 2022 novel Mickey7 with an all-star cast that includes Robert Pattinson, Naomi Ackie, Steven Yeun, Mark Ruffalo, and Toni Collette.
Companion
I went into Companion completely blind, and that’s the best way to experience it. Drew Hancock’s directorial debut thrives on twists, constantly reinventing itself in ways that keep the audience on edge. The film shares DNA with Barbarian, which makes sense given that Barbarian director Zach Cregger serves as a producer here. Both films pull the rug out from under viewers, placing their protagonists in escalating danger with seemingly no way out. But as was the case with Barbarian, discussing Companion without spoilers is nearly impossible—so consider this your warning.
Mission: Impossible – Dead Reckoning
Dead Reckoning surpasses many recent action movies, using Tom Cruise’s death-defying stunts as a reason to see them by themselves. Despite a few nitpicks, nothing compares to the practicality that the new Mission: Impossible movie offers.
Nightmare Alley
Guillermo del Toro has built a career on finding beauty in darkness, crafting stories that, even in their bleakest moments, hold onto some sense of wonder, nostalgia, or hope. Movies like Pan’s Labyrinth, The Shape of Water, and his stop-motion Pinocchio remake all explore the perseverance of the human spirit, even in the face of terrible atrocities. That’s what makes Nightmare Alley such a striking outlier in his filmography—it’s a film almost entirely devoid of hope, a cynical neo-noir that suggests people are, at their core, selfish and opportunistic. Instead of offering redemption, Nightmare Alley leaves you with a sick feeling in your stomach, hammering home its central thesis: trust is a liability, and grifters will always find a way to exploit it.
The Card Counter
Paul Schrader has often explored the psychology of men trapped by their pasts, from Taxi Driver to Light Sleeper, and The Card Counter feels like a natural extension of that lineage. It’s a film that lingers—methodical, unrelenting, and quietly devastating. Perhaps not his flashiest work, but unquestionably one of his most powerful late-career efforts.
Ocean’s Eleven
Ocean’s Eleven might just be the coolest heist movie ever made. Directed by Steven Soderbergh and featuring one of the most effortlessly charismatic ensembles in film history—George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Andy Garcia—it’s a masterclass in smooth, stylish entertainment. Decades later, it remains endlessly rewatchable, a perfect blend of clever plotting, sharp dialogue, and pure Hollywood star power.
The Order
The Order may not offer anything particularly new by industry standards, but Justin Kurzel‘s direction keeps the film engaging and intriguing as the story unfolds. It’s well-made and interesting, even though it draws on themes and styles found in many similar movies. While some argue that Hollywood no longer makes films like it used to, The Order feels like it came from a different time.
Juror #2
Warner Bros. initially sidelined Clint Eastwood‘s courtroom drama Juror #2. Despite critical acclaim for the 94-year-old director’s latest work, the studio only pursued an awards campaign after the film gained praise. The movie had a limited theatrical release by Warner Bros., a decision that was widely criticized. After watching Juror #2, I share the frustration of those who missed the chance to experience this procedural drama on the big screen.
Blackhat
Michael Mann’s Blackhat is a fascinating enigma, a film that has only grown more compelling in the years since its release despite being weighed down by some glaring imperfections. The movie, a cyber-thriller with a globetrotting scope, plays like a fever dream of Mann’s stylistic obsessions, blending high-octane action, meticulous visual craft, and an indulgence in the absurd. It’s a film that refuses to conform, and for that reason, it has become one of the most divisive works of the 2010s.