Here are Cinephile Corner’s 10 recommendations for movies like Babylon:
Whiplash
I imagine sometimes it’s just a matter of the right film hitting you at the right time. As a young lad interested in a minute portion of the film medium, I attached myself to Damien Chazelle’s debut film Whiplash and never looked back. Some may say it’s a core text for the eventual style and storytelling conventions that I now gravitate towards quite frequently. Or maybe I find myself relating to the Miles Teller character a bit too much in my daily life. Whatever it may be, Whiplash is a seminal moment for both myself and film industry.
Bardo, False Chronicle of a Handful of Truths
Quickly after the title card of Alejandro González Iñárritu’s latest film Bardo, False Chronicle of a Handful of Truths is it clear what drove the acclaimed Mexican filmmaker and visionary to make such a sweeping and epic story about the artistic complex of an award-winning professional. After all, the director and writer of Birdman or (The Unexpected Virtue of Ignorance) and The Revenant received his fair share of awards recognition for pieces basking in ingenuity and complete originality.
The Fabelmans
The Fabelmans, Steven Spielberg’s latest movie, effectively mines through his childhood to examine his love for film. A complex set of ideas mixed in a way only the master filmmaker could pull together.
Maestro
Bradley Cooper‘s Maestro, on paper, sings a seductive aria. A biopic of the iconic composer Leonard Bernstein, it promises a kaleidoscope of artistic genius, turbulent love affairs, and the intoxicating swirl of New York City’s cultural elite. Yet, the movie that stumbles onto the screen feels more like a rehearsal gone awry, leaving audiences with a bittersweet longing for the unplayed potential.
A Complete Unknown
As a Minnesotan, I feel almost obligated to enjoy A Complete Unknown, the movie that chronicles Bob Dylan’s rise to stardom while exploring his strained relationship with music and the people who helped shape his career. Dylan is undeniably one of the most famous musicians of all time—and certainly one of the most iconic figures to emerge from the land of 10,000 lakes.
The End
I’m drawn to many of the technical achievements in The End—its set design, cinematography, and sheer audacity are undeniably impressive. However, Joshua Oppenheimer has previously delivered films that feel more cohesive and incisive, works that seamlessly blend their tone and style with their themes. Tilda Swinton and Michael Shannon lead a movie that feels overbaked and often heavy-handed.
Better Man
At the heart of any biopic lies the audience’s connection to its subject. A film’s success often hinges on how it portrays someone viewers either revere or know little about. I’ve been burned by disappointing depictions of beloved figures and pleasantly surprised by movies that delve deeply into lives I had barely explored. Better Man falls mostly into the latter category, telling the story of Robbie Williams—a member of Take That—charting his rise, struggles, and personal journey. As someone unfamiliar with Williams beyond name recognition, the film offered a compelling introduction, even if it occasionally stumbles over well-worn biopic tropes.
Bob Marley: One Love
I still generally like Bob Marley: One Love more than some of the most uninspired musical biopics, but it pales in comparison to movies that better establish history through their central figures. Kingsley Ben-Adir and Lashana Lynch are remarkable in Reinaldo Marcus Green‘s underwhelming follow-up to King Richard.
Joker: Folie à Deux
Regardless of how you feel about Joker, Todd Phillips‘ blockbuster film was a striking reinvention of the superhero genre when it debuted in 2019. It was received with a level of reverence rarely granted to superhero films, winning the Golden Lion at the Venice Film Festival and becoming a major contender during awards season. What set Joker apart was its grounded, almost claustrophobic atmosphere, which felt far removed from the usual bombastic superhero fare. It was a character study, not a franchise entry, and it didn’t suggest a larger universe or an inevitable sequel. This sense of finality and self-containment made it feel like a singular, daring vision—one that didn’t need anything more, which is what makes Joker: Folie à Deux such an odd and ill-conceived idea.
BlackBerry
Zipping through the years of the rise and fall of the first texting cellphone, the aptly-titled BlackBerry serves as a fantastic tale of corporate greed and those incapable of dealing with the success and fame that comes with building new technology. Incredible acting and direction contributes to one of 2023’s best movies.
READ MORE: Babylon (2022)
