Here are Cinephile Corner’s 10 recommendations for animated movies like Wish:
Puss in Boots: The Last Wish
The glorious animation in the newest Shrek installment Puss in Boots: The Last Wish is enough to drive you to the theater by itself. Led by a star-studded cast and a script with enough heart, The Last Wish is one of the better animated movies of 2022.
Elemental
Elemental acts as a surprising return to the roots of Pixar. It’s a movie with a host of relevant themes and messages rolled into a sincere and effective love story. It’s been a a minute since Pixar landed an original story with such a clear balance of narrative and comedy.
Inside Out
Inside Out is still the best iteration of personifying emotions or concepts through animated films, choosing to live inside of the mind of youngster Riley moving from her Minnesota townhome to the big city of San Francisco. Pete Docter directs arguably his best film under the Pixar brand.
Strange World
It’s not that Strange World is bad, it just should’ve been much better. The movie has a third act with its positives (I particularly liked the main twist that I’ll avoid spoiling in this review, but it gave me some nice food-for-thought), but not enough to redeem a story that takes too long to set up without much fun or promise. Jake Gyllenhaal and Dennis Quaid lead a mixed voice cast.
Moana 2
Even as someone who wasn’t enamored with Moana, it’s clear Moana 2 is a significant downgrade. It lacks the heart, charm, and polish of the original, delivering a drab, forgettable experience that feels like it was made on autopilot.
Turning Red
Despite feeling a bit like Pixar is borrowing heavily from their contemporaries, Turning Red is the first movie from the studio to actually move the needle in a while. It’s a story for generations to enjoy, and I always prefer when Pixar aims to appeal to older audiences in conjunction with the usual kids demographic.
Lightyear
There’s a lack of interesting, personable characters within Lightyear, as if they were all typecast from other Pixar movies. They’re either sentimentally sweet, aloof, or arrogant. And maybe the movie could’ve been saved had these characters had more time to develop and interact, but that aspect of the film is tossed aside frequently for big action set pieces and rambunctious chase sequences.
The Wild Robot
The overall package of The Wild Robot is ultimately quite honorable and noteworthy. The animated genre offers just a few great movies a year, and The Wild Robot falls into that category. It’s probably the frontrunner for Best Animated Picture at the Academy Awards, and I’d add that we’ve had much worse winners should this take home the prize. It’s sweet and effortlessly likeable, even if you can see the mechanisms of it working behind the scenes.
Luca
Whether its shortcomings are the result of its direct-to-streaming release or broader creative decisions, Luca ultimately stands as Pixar’s weakest effort of the 2020s so far. It’s not a misfire, but it is a forgettable entry in a filmography that typically sets the standard for original animated storytelling. For all its good intentions and lighthearted charm, Luca just doesn’t make much of a splash.
Coraline
An absolutely beautiful stop-motion movie, Coraline supplies enough whimsical joy for kids, while still being thoughtful and profound. Henry Selick‘s best film is also Laika Entertainment’s best film.
READ MORE: Wish (2023)
