Here is Cinephile Corner’s ranking of the ten best Margaret Qualley movies:
10. Honey Don’t! (2025)
Honey Don’t! is pitched as the second entry in a planned trilogy of lesbian B-movies led by Margaret Qualley, but the movie feels like scraps of a sharper caper that never found its center. Qualley plays Honey surprisingly straight, all flat affect and forward motion, which might have worked if the world around her matched that cool.
9. The Nice Guys (2016)
8. Kinds of Kindness (2024)
As a side project conceived during the creation of Poor Things, Kinds of Kindness is quite the undertaking for Yorgos Lanthimos. The movie is hefty and left with a lot of gristle. While the performances of the cast suggest a film trying to have a lot of fun, the lack of cohesion took me out of a movie overstaying its welcome.
7. Blue Moon (2025)
Richard Linklater and Ethan Hawke reunite for Blue Moon, a compact character study that plays in similar fashion to their collaboration nearly 25 years ago Tape. Set almost entirely inside Sardi’s Bar in 1943, the film follows a single night in the life of lyricist Lorenz Hart (Ethan Hawke) on the evening that his ex-creative partner Richard Rodgers’ Oklahoma! premieres to rapturous success nearby. Hawke’s Hart drinks, riffs and ricochets through memories and resentments, bending conversations to his own restless monologue whether the audience is Eddie the bartender (Bobby Cannavale), the much younger Elizabeth (Margaret Qualley), or Rodgers himself (Andrew Scott).
6. Drive-Away Dolls (2024)
Despite Ethan Coen’s Drive-Away Dolls feeling like “lesser Coen brothers” at times, there are still some great lines and hilarious set pieces to make the movie worthwhile. Margaret Qualley and Geraldine Viswanathan shine, and the noir elements hint at a style that the Coens have only ventured into a few times with their earlier films.
5. Poor Things (2023)
At the heart of Poor Things is Emma Stone‘s exceptionally dedicated performance, making a compelling case for her second Oscar for Best Actress. Her willingness to embrace daring characters and collaborate with auteurs like Yorgos Lanthimos reinforces her status as one of the industry’s leading performers.
4. The Substance (2024)
A vaguely named, neon green liquid is at the center of The Substance, the sophomore effort from director Coralie Fargeat following her successful debut Revenge (2017). The titular substance is capable of delivering happiness to those desiring to look younger and more attractive. Accompanied by a strict list of rules involving when to take the substance and how to maintain the younger self the injection inevitably births, the chances of a user mishandling such a lethal experimental drug is absurdly high.
3. Sanctuary (2023)
Sanctuary and its single location premise may feel light for a feature length film, but stellar performances by Margaret Qualley and Christopher Abbott, as well as tight direction by Zachary Wigon, helps the movie stay fresh and alive.
2. Stars at Noon (2022)
1. Once Upon a Time… in Hollywood (2019)
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