Genre: Horror

Explore Cinephile Corner’s full selection of horror movie reviews, which includes pieces of criticism on the latest horror movie releases, as well as the classics. Cinephile Corner also ranked the best horror movies of 2022, 2023, 2024, as well as the best horror movies of the 2020s so far and the best horror movies of all time.

Dangerous Animals (2025)

Dangerous Animals Review: Vicious Sharks in Endless Waters

The Woman in the Yard (2025)

The Woman in the Yard Review: Jaume Collet-Serra’s Return to Horror Doesn’t Get Too Bogged Down in Grief and Trauma

Death of a Unicorn (2025)

Death of a Unicorn Review: A24’s Mythical Creature Feature Doesn’t Live up to Its Premise

Final Destination (2000)

Final Destination Review: Death Finds a Way

Heart Eyes (2025)

Heart Eyes Review: Valentine’s Day Isn’t Safe From the Slasher Genre

The Monkey (2025)

The Monkey Review: Oz Perkins Adapts a Stephen King Killer Toy Short Story

Wolf Man (2025)

Wolf Man Review: Leigh Whannell’s Lean Horror Remake Is Sluggish and Airless

Sinners (2025)

Sinners Review: Michael B. Jordan Plays Twin Gangsters in Ryan Coogler’s Ode to Blues Music and Vampires

Opus (2025)

Opus Review: An Exclusive Album Listening Party Turned Nightmare

Videodrome (1983)

Videodrome Review: David Cronenberg’s Early Techno-Surrealist Horror Classic Grows More Prescient Each Day

Scanners (1981)

Scanners Review: David Cronenberg’s Science Fiction Paranoia Film Will Make Your Head Explode

Rabid (1977)

Rabid Review: David Cronenberg’s Sophomore Film Is (Once Again) Infused With Shocking Body Horror

Shivers (1975)

Shivers Review: David Cronenberg’s Proof-of-Concept Debut Film Establishes His Interests in an Efficient Manner

Night of the Zoopocalypse (2025)

Night of the Zoopocalypse Review: A So-So Animated Entry to Horror Movies for Kids

Ash (2025)

Ash Review: Flying Lotus Sends Eiza González and Aaron Paul to a Distant Planet in New Science Fiction Horror Film

Companion (2025)

Companion Review: Sophie Thatcher and Jack Quaid Co-Star as an Unusual Couple in Drew Hancock’s Twisty Thriller

The Blackcoat's Daughter (2015)

The Blackcoat’s Daughter Review: Oz Perkins’ Best Film is Endlessly Unsettling

Borderline (2025)

Borderline Review: Samara Weaving Tries to Temper a Psychopath

The Host (2006)

The Host Review: Bong Joon-Ho’s Creature Feature Uses Classic Genre Tropes to Tell a Fresh Story

Presence (2025)

Presence Review: Steven Soderbergh’s Ghostly Thriller Uses First-Person POV to Explore Grief and Broken Families

The Gorge (2025)

The Gorge Review: Miles Teller and Anya Taylor-Joy Lead Scott Derrickson’s Wildly Uneven Apple TV+ Science Fiction Film